Sam Francis

Untitled, 1984

106.7 X 73 inch

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Ipad Drawing My Window. No. 778, 17th April 2011

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Slightly damaged chair, Malibu

David HOCKNEY | Yves David Hockney Yves Marie lithograph of seated figure in plaid clothes beside table with potted flower, drawn in soft pencil lines. | Lithograph  available for sale on composition gallery

Lithograph on Arches paper. Signed by the artist. Yves Marie (1974) by David Hockney is a lithograph that captures the quiet introspection of a seated figure rendered in delicate pencil strokes. The subject, posed in a relaxed but formal posture, sits beside a small table bearing a flowering plant—adding a subtle organic counterpoint to the geometric pattern of the subject’s plaid trousers and checked shirt. Hockney’s attention to texture and surface detail imbues the composition with a quiet realism, while the empty space and minimal background highlight the figure’s introspective mood. The piece reflects Hockney’s enduring interest in portraiture and human presence, executed with refined lithographic technique.

Artwork Copyright © David Hockney

Yves Marie, 1974

form

Medium

Edition

Lithograph on Arches paper. Signed by the artist. Yves Marie (1974) by David Hockney is a lithograph that captures the quiet introspection of a seated figure rendered in delicate pencil strokes. The subject, posed in a relaxed but formal posture, sits beside a small table bearing a flowering plant—adding a subtle organic counterpoint to the geometric pattern of the subject’s plaid trousers and checked shirt. Hockney’s attention to texture and surface detail imbues the composition with a quiet realism, while the empty space and minimal background highlight the figure’s introspective mood. The piece reflects Hockney’s enduring interest in portraiture and human presence, executed with refined lithographic technique.

Artwork Copyright © David Hockney

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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