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Screenprints in colours, on wove - Signed, numbered and dated on the front // Bridget Riley's Intervals 3 (Green/Purple) is a minimalist screen print that plays with optical perception through precise repetition and color harmony. The work features five horizontal bars composed of alternating stripes in green, purple, and soft blue hues, arranged evenly on a white background. Each stripe creates a rhythmic pattern that subtly shifts the viewer’s focus, inviting a meditative reflection on the interaction between color and form. Riley’s use of contrasting tones and geometric precision underscores her signature exploration of visual dynamics and the effects of color on perception. Signed, numbered, and dated on the front, this work is a fine example of Riley’s ongoing engagement with the principles of Op Art.
Intervals 3 (Green/Purple), 2021
form
Medium
Size
55.9 x 38 cm
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Details
Artist
Styles
Screenprints in colours, on wove - Signed, numbered and dated on the front // Bridget Riley's Intervals 3 (Green/Purple) is a minimalist screen print that plays with optical perception through precise repetition and color harmony. The work features five horizontal bars composed of alternating stripes in green, purple, and soft blue hues, arranged evenly on a white background. Each stripe creates a rhythmic pattern that subtly shifts the viewer’s focus, inviting a meditative reflection on the interaction between color and form. Riley’s use of contrasting tones and geometric precision underscores her signature exploration of visual dynamics and the effects of color on perception. Signed, numbered, and dated on the front, this work is a fine example of Riley’s ongoing engagement with the principles of Op Art.
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Bridget Riley
Intervals 3 (Green/Purple), 2021
Limited Edition Print
Screen-print
GBP 7,000 - 10,000
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.