Details
Artist
Styles
Screen Print on Arches paper. Hand-signed by the artist. Blek Le Rat’s L’anarchiste (2020) is a screen print on Arches paper that exemplifies the artist’s iconic stencil-based visual language and his engagement with themes of rebellion and subversion. The composition features a sharply defined black rat, rendered in bold contrast against a white background, standing upright in a poised, almost defiant posture. Behind it, a vivid red anarchist symbol—sprayed in loose, gestural lines—introduces a sense of urgency and political charge. The rat, a recurring emblem in Blek Le Rat’s work, signifies marginality, resistance, and the overlooked presence within urban space. The tension between the controlled stencil figure and the spontaneous spray-painted backdrop reflects the dynamic interplay between order and disorder, authority and dissent.
L'anarchiste, 2020
form
Medium
Size
23 x 31 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Screen Print on Arches paper. Hand-signed by the artist. Blek Le Rat’s L’anarchiste (2020) is a screen print on Arches paper that exemplifies the artist’s iconic stencil-based visual language and his engagement with themes of rebellion and subversion. The composition features a sharply defined black rat, rendered in bold contrast against a white background, standing upright in a poised, almost defiant posture. Behind it, a vivid red anarchist symbol—sprayed in loose, gestural lines—introduces a sense of urgency and political charge. The rat, a recurring emblem in Blek Le Rat’s work, signifies marginality, resistance, and the overlooked presence within urban space. The tension between the controlled stencil figure and the spontaneous spray-painted backdrop reflects the dynamic interplay between order and disorder, authority and dissent.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
