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Lithograph and zincograph. Obispo by Antonio Saura is a 1983 lithograph and zincograph that reflects the artist’s enduring exploration of the human face as a symbol of authority and psychological intensity. The composition presents a stylized, elongated head wearing a bishop’s mitre, rendered through energetic black lines layered with tones of brown, grey, and pale yellow. The facial features appear fragmented and tense, with swirling lines forming the eyes, nose, and mouth, giving the figure a solemn yet uneasy presence. Saura often reinterpreted historical and religious archetypes, transforming them into expressive, almost mask-like forms. Associated with the Spanish postwar avant-garde and the El Paso group, the artist used distortion to evoke existential themes. Printed in an edition of 92 with additional proofs, the work demonstrates Saura’s powerful graphic language and dramatic contrasts.
Obispo, 1983
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65 x 50 cm
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Details
Artist
Styles
Lithograph and zincograph. Obispo by Antonio Saura is a 1983 lithograph and zincograph that reflects the artist’s enduring exploration of the human face as a symbol of authority and psychological intensity. The composition presents a stylized, elongated head wearing a bishop’s mitre, rendered through energetic black lines layered with tones of brown, grey, and pale yellow. The facial features appear fragmented and tense, with swirling lines forming the eyes, nose, and mouth, giving the figure a solemn yet uneasy presence. Saura often reinterpreted historical and religious archetypes, transforming them into expressive, almost mask-like forms. Associated with the Spanish postwar avant-garde and the El Paso group, the artist used distortion to evoke existential themes. Printed in an edition of 92 with additional proofs, the work demonstrates Saura’s powerful graphic language and dramatic contrasts.
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Limited Edition Print
Lithograph
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Lithograph
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Limited Edition Print
Mixed Media
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
