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Emblemas 5 by Antonio Saura is a 1979 serigraph that exemplifies the artist’s powerful graphic exploration of the human face. The composition presents a distorted, mask-like head rendered in layered tones of black, grey, and white, contained within a rectangular frame. Multiple overlapping eyes and fragmented facial features create an intense, almost emblematic presence, suggesting both identity and psychological tension. Saura’s energetic, gestural lines evoke the immediacy of drawing while maintaining a strong graphic structure typical of his printmaking. Associated with the Spanish postwar avant-garde and the El Paso group, Saura frequently used the face as a symbol of existential struggle and collective memory.
Emblemas 5, 1979
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50 x 36 cm
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Details
Artist
Styles
Emblemas 5 by Antonio Saura is a 1979 serigraph that exemplifies the artist’s powerful graphic exploration of the human face. The composition presents a distorted, mask-like head rendered in layered tones of black, grey, and white, contained within a rectangular frame. Multiple overlapping eyes and fragmented facial features create an intense, almost emblematic presence, suggesting both identity and psychological tension. Saura’s energetic, gestural lines evoke the immediacy of drawing while maintaining a strong graphic structure typical of his printmaking. Associated with the Spanish postwar avant-garde and the El Paso group, Saura frequently used the face as a symbol of existential struggle and collective memory.
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Lithograph
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Limited Edition Print
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
