Sam Francis

Untitled, 1984

106.7 X 73 inch

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Whipped butter for Eugen Ruchin

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Détails

Artiste

Styles

Edition of 78 James Rosenquist (born 1933) along with andy Warhol and Roy Lichtenstein is a first generation member of the pop art movement in America. He began his career as a billboard painter and then used that experience to create massive paintings that seem to take in all of American popular culture: cars, missiles, consumer items, sex, movies etc…. He has had retrospectives at the Whitney Museum and the Guggenheim. James Rosenquist was born in Grand Forks, North Dakota. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. His most famous painting, F-Ill, is eighty-six feet long and shares many of the characteristics of a billboard. The preference for anonymity in his subjects carried through to the print media. Rosenquist has made a number of screen prints and etchings, but most of his graphics are lithographs. His prints have frequently been exhibited in galleries and museums and at biennials internationally. They can be found in many permanent collections including those of the Museum of Modern Art, New York, the Musee d'Art Moderne, Paris, and the Art Gallery of Ontario, Toronto

Artwork Copyright © James Rosenquist

James Rosenquist

Diver's Line, 1978

forme

Méthode

Taille

71 x 101   cm
  • Pouces
  • Centimètres

Édition

Prix

Détails

Artiste

Styles

Edition of 78 James Rosenquist (born 1933) along with andy Warhol and Roy Lichtenstein is a first generation member of the pop art movement in America. He began his career as a billboard painter and then used that experience to create massive paintings that seem to take in all of American popular culture: cars, missiles, consumer items, sex, movies etc…. He has had retrospectives at the Whitney Museum and the Guggenheim. James Rosenquist was born in Grand Forks, North Dakota. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. His most famous painting, F-Ill, is eighty-six feet long and shares many of the characteristics of a billboard. The preference for anonymity in his subjects carried through to the print media. Rosenquist has made a number of screen prints and etchings, but most of his graphics are lithographs. His prints have frequently been exhibited in galleries and museums and at biennials internationally. They can be found in many permanent collections including those of the Museum of Modern Art, New York, the Musee d'Art Moderne, Paris, and the Art Gallery of Ontario, Toronto

Artwork Copyright © James Rosenquist
TRIER PAR
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  • Prix (bas - elevé )
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James Rosenquist Flower Garden lithograph with disembodied hands and female athlete figure in grayscale on dark background.

James Rosenquist

Flower Garden, 1972

Édition Limitée

Lithographie

USD 1,200

James Rosenquist Marilyn lithograph with fragmented face of Marilyn Monroe, bold colors, and layered text elements in pop art style.

James Rosenquist

Marilyn, 1974

Édition Limitée

Lithographie

Demander Le Prix

James Rosenquist Dusting off Roses lithograph with layered magenta roses, green stems, and yellow background in pop art style.

James Rosenquist

Dusting Off Roses, 1965

Édition Limitée

Lithographie

Demander Le Prix

James Rosenquist Drawing #14 for Heart Time Flowers with colorful nail-like forms and red halo at center on white background.

James Rosenquist

Drawing #14 For Heart Time Flowers, 1980

Dessin / Aquarelle

Mixed Média

Demander Le Prix

James Rosenquist Book and Pointer for the Fast Student with torn paper, ink splatters, wood stick, and abstract black fan shapes.

James Rosenquist

Book And Pointer For The Fast Student, 1977

Dessin / Aquarelle

Collage

Demander Le Prix

James Rosenquist Sketch for Forest Ranger 1967 silkscreen with red swing over leafy background and colorful diagonal grid

James Rosenquist

Sketch For Forest Ranger, 1967

Édition Limitée

Sérigraphie/Silkscreen

USD 1,500

James Rosenquist's Moon Box, lithograph, shows a pergola structure casting an American flag's stars and stripes as shadows under a full moon.

James Rosenquist

Moon Box, 1971

Édition Limitée

Lithographie

EUR 3,100

James Rosenquist’s Ice Point from Art and Sport, lithograph, shows a fragmented face with blue eyes and red geometric lines.

James Rosenquist

Ice Point From Art And Sport, 1983

Édition Limitée

Lithographie

USD 4,450

James Rosenquist’s Yellow Landing, lithograph, shows a yellow square, circular form, and radiant lines with red splashes and geometric shapes.

James Rosenquist

Yellow Landing, 1974

Édition Limitée

Lithographie

USD 11,900

James Rosenquist’s Woman in the Sun, lithograph, shows a circle filled with colorful dots and abstract black shapes on the left, with a red explosion form on the right.

James Rosenquist

Woman In The Sun, 1991

Édition Limitée

Lithographie

USD 4,450

James Rosenquist’s Nuclear Neighborhood, hand-colored etching, features abstract forms of blue architecture, black shapes, and yellow atomic-like symbols in contrasting sections.

James Rosenquist

Nuclear Neighborhood, 1977

Édition Limitée

Gravure

USD 3,750

James Rosenquist, Towel, Star, Sunglasses, hand-colored etching with vibrant colors, concentric rings, and sunglasses outline.

James Rosenquist

Towel, Star, Sunglasses, 1977

Édition Limitée

Gravure

USD 3,750

James Rosenquist's Where the Water Goes, 1989 collage print, faucet over a pink, blue, and green explosion, blending abstract and mechanical forms.

James Rosenquist

Where The Water Goes (from The Welcome To The Water Planet), 1989

Édition Limitée

Collage

Demander Le Prix

James Rosenquist’s Universal Star Leg lithograph, red splattered background with geometric shapes and a suspended stone.

James Rosenquist

Universal Star Leg, 1974

Édition Limitée

Collage

USD 3,200

James Rosenquist, Federal Spending (second state), etching and aquatint, features three abstract red shapes suggesting division and balance.

James Rosenquist

Federal Spending (second State), 1978

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist's A Pale Angel's Halo (Yellow) lithograph depicts a yellow arch-like form with energetic lines on a white background.

James Rosenquist

A Pale Angels Halo (Yellow), 1973

Édition Limitée

Lithographie

USD 1,200

James Rosenquist's Federal Spending etching features abstract purple, striped circular, and pink glasses forms on a white background.

James Rosenquist

Federal Spending, 1978

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist's Miles screenprint features a blue circular explosion with text fragments over a multicolored striped background.

James Rosenquist

Miles, 1975

Édition Limitée

Sérigraphie (Screen-print)

USD 2,000

James Rosenquist's Just Desert Israel 2nd State, 1979, intaglio with pochoir, features abstract geometric and organic forms in a monochromatic palette.

James Rosenquist

Just Desert Israel 2nd State, 1979

Édition Limitée

Héliogravure

Demander Le Prix

James Rosenquist's Tide (2nd State), etching, fragmented blue geometric forms and circular elements, set against a textured background, 1976.

James Rosenquist

Tide (2nd State), 1976

Édition Limitée

Gravure

Demander Le Prix

James Rosenquist's Swing Screen, etching and aquatint, dynamic composition with colorful circle, green shape, and triangle, 1976.

James Rosenquist

Swing Screen, 1976

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist, Window Washer Glass House, mixed media print with vibrant abstract shapes and colors on Pescia Italia paper.

James Rosenquist

Window Washer Glass House, 1978

Édition Limitée

Mixed Média

USD 1,450

James Rosenquist Window Washer Glass House print with dark gray abstract lines, textures, and central embossed rectangular form.

James Rosenquist

Window Washer Glass House (black And White), 1978

Édition Limitée

Mixed Média

Demander Le Prix

James Rosenquist's The Flame Still Dances on Leo's Book, 1997 lithograph, shows a vivid flame rising from a book with swirling smoke.

James Rosenquist

The Flame Still Dances On Leos Book, 1997

Édition Limitée

Lithographie

USD 1,350

James ROSENQUIST | SPOKES (green) | Etching and Aquatint available for sale on composition gallery

James Rosenquist

SPOKES (green), 1978

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist's Certificate 1962 etching showing an arm and fist in a scratchy frame, blending abstract and photorealistic elements.

James Rosenquist

Certificate, 1962

Édition Limitée

Gravure

Demander Le Prix

James Rosenquist's Tide etching with deep blue geometric and swirling forms, exploring the balance between technology and nature.

James Rosenquist

Tide, 1979

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

Tom Wesselmann, Monica Sitting with Mondrian, screenprint of nude figure in front of Mondrian-inspired geometric background.

James Rosenquist

Somewhere To Light, 1966

Édition Limitée

Sérigraphie (Screen-print)

USD 6,600

James Rosenquist, The Book Disappears for the Fast Student 2nd State, etching and aquatint; blue-toned with circular forms and speckled background.

James Rosenquist

The Book Disappears For The Fast Student 2nd State, 1978

Édition Limitée

Gravure à L'eau-forte

USD 1,100

James Rosenquist’s Horse Blinders (North), 1972 mixed-media print with wood grain, blue arcs, and reflective silver foil panels.

James Rosenquist

Horse Blinders (North), 1972

Édition Limitée

Mixed Média

USD 5,500

James Rosenquist's Alphabet Avalanche, 1979 lithograph, abstract shapes with vibrant stripes and monochrome fan linked by staircase on dark background.

James Rosenquist

Alphabet Avalanche, 1979

Édition Limitée

Lithographie

USD 6,620

James Rosenquist Starfish serigraph with fragmented coin image, vibrant colored stripes, and Guild Hall Easthampton, New York text.

James Rosenquist

Starfish, 1974

Édition Limitée

Sérigraphie

Demander Le Prix

James Rosenquist's Spring Cheer, 1st State, 1978 etching and aquatint, featuring red Pegasus, circular patterns, and branch with gradient oval.

James Rosenquist

Spring Cheer, 1st. State , 1978

Édition Limitée

Gravure à L'eau-forte

USD 4,250

James Rosenquist's Spokes, etching and aquatint with red circles, multicolored lines, and an abstract orange form on Pescia Italia paper.

James Rosenquist

Spokes , 1977

Édition Limitée

Gravure à L'eau-forte

USD 4,390

James Rosenquist Hot Lake etching with colorful abstract shapes including sunburst, striped house, and rainbow arcs, dynamic and surreal.

James Rosenquist

Hot Lake, 1978

Édition Limitée

Gravure à L'eau-forte

USD 4,390

James Rosenquist, Flamingo Capsule, screenprint; abstract collage with American flag, metallic textures, and vivid color gradients.

James Rosenquist

Flamingo Capsule, 1973

Édition Limitée

Sérigraphie (Screen-print)

USD 18,500

James Rosenquist, High Pool, lithograph; two circles, left black with bubbles, right colorful swirl, contrasting stillness and movement.

James Rosenquist

High Pool, 1966

Édition Limitée

Lithographie

USD 6,700

James Rosenquist, Circles of Confusion, screenprint; blurred colorful circles with GE logos and white dots on a vibrant background.

James Rosenquist

Circles Of Confusion, 1965

Édition Limitée

Sérigraphie (Screen-print)

EUR 2,500

James Rosenquist, Gravity Feed, aquatint; multicolored footprints, grayscale square, and diagonal colored lines create a dynamic abstract composition.

James Rosenquist

Gravity Feed, 1978

Édition Limitée

Aquatinte

USD 2,350

James Rosenquist's Sunglass Lens - Landing Net - Triangle, 1974 etching with geometric shapes, black radial lines, exploring perception.

James Rosenquist

Sunglass Lens - Landing Net - Triangle, 1974

Édition Limitée

Gravure

Demander Le Prix

James Rosenquist New York Says It lithograph and serigraph with flower over New York skyline, red lines and pixel patterns intertwine.

James Rosenquist

New York Says It, 1983

Édition Limitée

Lithographie

USD 1,400

James Rosenquist Star Ladder Second State lithograph with bird, star shape, and chaotic lines on the right

James Rosenquist

Star Ladder (Second State), 1978

Édition Limitée

Lithographie

USD 3,400

James Rosenquist Rails color lithograph and screenprint with fragmented design featuring lightning bolt, Japanese characters, and abstract shapes

James Rosenquist

Rails, 1975-1976

Édition Limitée

Lithographie

USD 9,500

James Rosenquist Pushbuttons lithograph with abstracted hands and mechanical push buttons in monochrome

James Rosenquist

Pushbuttons, 1972

Édition Limitée

Lithographie

USD 7,500

James Rosenquist Forehead 2 lithograph with segmented abstract elements including black lines, pink face hint, and swirling strands

James Rosenquist

Forehead 2, 1968

Édition Limitée

Lithographie

USD 6,500

James Rosenquist Flameout For Picasso lithograph with red and blue sections, geometric shapes, and textured elements honoring Picasso.

James Rosenquist

Flameout For Picasso, 1973

Édition Limitée

Lithographie

USD 4,500

James Rosenquist's The World Art Festival lithograph features abstract floral forms, a treble clef, and rainbow bands on a vibrant background.

James Rosenquist

The World Art Festival, 1982

Édition Limitée

Lithographie

Actuellement Indisponible

James Rosenquist's lithograph My Mind is a Glass of Water, 1972, depicts a white glass with water against a blue-purple gradient background.

James Rosenquist

My Mind Is A Glass Of Water, 1972

Édition Limitée

Lithographie

Actuellement Indisponible

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Qu'est-ce que le pop-art?
Artwork by Andy Warhol

Qu'est-ce que le pop-art?

Pop Art est un mouvement artistique qui a débuté en Grande-Bretagne en 1955 et à la fin des années 1950 aux États-Unis. Il a défié la tradition des beaux-arts en intégrant des images de la culture populaire, telles que les actualités, la publicité et les bandes dessinées. Le Pop Art isole souvent des matériaux et les recontextualise, les combinant avec des éléments non liés. Ce mouvement se concentre davantage sur les attitudes et les idées qui l'ont inspiré que sur l'art lui-même. Le Pop Art est interprété comme une réaction aux idées dominantes de l'expressionnisme abstrait, en intégrant la culture de consommation quotidienne dans le domaine des beaux-arts.

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