Sam Francis

Untitled, 1984

106.7 X 73 inch

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Edition of 78 James Rosenquist (born 1933) along with andy Warhol and Roy Lichtenstein is a first generation member of the pop art movement in America. He began his career as a billboard painter and then used that experience to create massive paintings that seem to take in all of American popular culture: cars, missiles, consumer items, sex, movies etc…. He has had retrospectives at the Whitney Museum and the Guggenheim. James Rosenquist was born in Grand Forks, North Dakota. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. His most famous painting, F-Ill, is eighty-six feet long and shares many of the characteristics of a billboard. The preference for anonymity in his subjects carried through to the print media. Rosenquist has made a number of screen prints and etchings, but most of his graphics are lithographs. His prints have frequently been exhibited in galleries and museums and at biennials internationally. They can be found in many permanent collections including those of the Museum of Modern Art, New York, the Musee d'Art Moderne, Paris, and the Art Gallery of Ontario, Toronto

Artwork Copyright © James Rosenquist

Diver's Line, 1978

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Méthode

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Edition of 78 James Rosenquist (born 1933) along with andy Warhol and Roy Lichtenstein is a first generation member of the pop art movement in America. He began his career as a billboard painter and then used that experience to create massive paintings that seem to take in all of American popular culture: cars, missiles, consumer items, sex, movies etc…. He has had retrospectives at the Whitney Museum and the Guggenheim. James Rosenquist was born in Grand Forks, North Dakota. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. His most famous painting, F-Ill, is eighty-six feet long and shares many of the characteristics of a billboard. The preference for anonymity in his subjects carried through to the print media. Rosenquist has made a number of screen prints and etchings, but most of his graphics are lithographs. His prints have frequently been exhibited in galleries and museums and at biennials internationally. They can be found in many permanent collections including those of the Museum of Modern Art, New York, the Musee d'Art Moderne, Paris, and the Art Gallery of Ontario, Toronto

Artwork Copyright © James Rosenquist

James Rosenquist

Sketch For Forest Ranger, 1967

Édition Limitée

Sérigraphie/Silkscreen

USD 1,500

James Rosenquist

Whipped Butter For Eugene, 1965

Édition Limitée

Sérigraphie (Screen-print)

Demander Le Prix

James Rosenquist

Moon Box, 1971

Édition Limitée

Lithographie

EUR 3,100

James Rosenquist

Ice Point From Art And Sport, 1983

Édition Limitée

Lithographie

USD 4,450

James Rosenquist

Yellow Landing, 1974

Édition Limitée

Lithographie

USD 11,900

James Rosenquist

Woman In The Sun, 1991

Édition Limitée

Lithographie

USD 4,450

James Rosenquist

Nuclear Neighborhood, 1977

Édition Limitée

Gravure

USD 3,750

James Rosenquist

Horse Blinders (South), 1972

Édition Limitée

Sérigraphie (Screen-print)

USD 6,200

James Rosenquist

Towel, Star, Sunglasses, 1977

Édition Limitée

Gravure

USD 3,750

James Rosenquist

Where The Water Goes (from The Welcome To The Water Planet), 1989

Édition Limitée

Collage

Demander Le Prix

James Rosenquist

Universal Star Leg, 1974

Édition Limitée

Collage

USD 3,200

James Rosenquist

Federal Spending (second State), 1978

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist

A Pale Angels Halo (Yellow), 1973

Édition Limitée

Lithographie

Demander Le Prix

James Rosenquist

Federal Spending, 1978

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist

Miles, 1975

Édition Limitée

Sérigraphie (Screen-print)

USD 2,000

James Rosenquist

Just Desert Israel 2nd State, 1979

Édition Limitée

Héliogravure

Demander Le Prix

James Rosenquist

Tide (2nd State), 1976

Édition Limitée

Gravure

Demander Le Prix

James Rosenquist

Swing Screen, 1976

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist

Window Washer Glass House, 1978

Édition Limitée

Mixed Média

USD 1,450

James Rosenquist

Window Washer Glass House (black And White), 1978

Édition Limitée

Mixed Média

Demander Le Prix

James Rosenquist

The Flame Still Dances On Leos Book, 1997

Édition Limitée

Lithographie

Demander Le Prix

James Rosenquist

SPOKES (green), 1978

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist

The Kabuki Blushes (from Secrets In Carnations), 1986

Édition Limitée

Mixed Média

USD 8,950

James Rosenquist

Certificate, 1962

Édition Limitée

Gravure

Demander Le Prix

James Rosenquist

Tide, 1979

Édition Limitée

Gravure à L'eau-forte

Demander Le Prix

James Rosenquist

Somewhere To Light, 1966

Édition Limitée

Sérigraphie (Screen-print)

USD 6,600

James Rosenquist

Black Star, 1978

Édition Limitée

Gravure

Demander Le Prix

James Rosenquist

The Book Disappears For The Fast Student 2nd State, 1978

Édition Limitée

Gravure à L'eau-forte

USD 1,100

James Rosenquist

Horse Blinders (North), 1972

Édition Limitée

Mixed Média

USD 5,500

James Rosenquist

Alphabet Avalanche, 1979

Édition Limitée

Lithographie

USD 6,620

James Rosenquist

Starfish, 1974

Édition Limitée

Sérigraphie

Demander Le Prix

James Rosenquist

Spring Cheer, 1st. State , 1978

Édition Limitée

Gravure à L'eau-forte

USD 4,250

James Rosenquist

Spokes , 1977

Édition Limitée

Gravure à L'eau-forte

USD 4,390

James Rosenquist

Hot Lake, 1978

Édition Limitée

Gravure à L'eau-forte

USD 4,390

James Rosenquist

Flamingo Capsule, 1973

Édition Limitée

Sérigraphie (Screen-print)

USD 18,500

James Rosenquist

High Pool, 1966

Édition Limitée

Lithographie

USD 6,700

James Rosenquist

Circles Of Confusion, 1965

Édition Limitée

Sérigraphie (Screen-print)

EUR 2,500

James Rosenquist

Gravity Feed, 1978

Édition Limitée

Aquatinte

USD 2,350

James Rosenquist

Above, 1981

Édition Limitée

Lithographie

USD 3,600

James Rosenquist

Sunglass Lens - Landing Net - Triangle, 1974

Édition Limitée

Gravure

Demander Le Prix

James Rosenquist

New York Says It, 1983

Édition Limitée

Lithographie

USD 1,400

James Rosenquist

Star Ladder (Second State), 1978

Édition Limitée

Lithographie

USD 3,400

James Rosenquist

Rails, 1975-1976

Édition Limitée

Lithographie

USD 9,500

James Rosenquist

Pushbuttons, 1972

Édition Limitée

Lithographie

USD 7,500

James Rosenquist

Forehead 2, 1968

Édition Limitée

Lithographie

USD 6,500

James Rosenquist

Flameout For Picasso, 1973

Édition Limitée

Lithographie

USD 4,500

James Rosenquist

Forehead I, 1968

Édition Limitée

Lithographie

Actuellement Indisponible

James Rosenquist

The World Art Festival, 1982

Édition Limitée

Lithographie

Actuellement Indisponible

James Rosenquist

My Mind Is A Glass Of Water, 1972

Édition Limitée

Lithographie

Actuellement Indisponible

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Qu'est-ce que l'appropriation?

L'appropriation en art consiste à utiliser des images ou des objets préexistants avec peu ou pas de modification. Cette technique a joué un rôle significatif dans diverses formes d'art, y compris les arts visuels, la musique, la performance et la littérature. Dans les arts visuels, l'appropriation désigne la pratique consistant à adopter, échantillonner, recycler ou emprunter des éléments—ou même des formes entières—de la culture visuelle existante, en les intégrant dans de nouvelles œuvres pour créer du sens ou une critique.

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