What is Ceramic?
Ceramic is a term used to describe objects made from clay or other inorganic materials. These objects can be either decorative or functional and have been created since at least 4,000 B.C. Ceramic art involves making, decorating, and firing these objects in a kiln, a special high-temperature oven.
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ARTWORKS RELATED TO CERAMIC
Grayson Perry
Totally Unique Thing, 2025
Sculpture / Object
Ceramic
GBP 9,000
KAWS
Holiday UK (set of two), 2011
Sculpture / Object
Ceramic
EUR 2,500
Invader
Invasion Tile Kit #18 L.A, 2018
Ceramics
Ceramic
Inquire For Price
Barbara Kruger
Untitled (Vase), 2020
Sculpture / Object
Ceramic
GBP 1,800
Carlos Cruz-Diez
Couleur Additive, Serie 14, 2008
Ceramics
Ceramic
EUR 20,000
Pablo Picasso
Sujet poule (A.R. 250), 1954
Ceramics
Ceramic
EUR 9,600
David Shrigley
Stink, 2023
Sculpture / Object
Ceramic
EUR 2,750
David Shrigley
I Cannot Change My Spots but I Have No Desire to Change My Spots, 2022
Sculpture / Object
Ceramic
EUR 2,850
Pablo Picasso
Cruchon Hibou, 1955
Sculpture / Object
Ceramic
EUR 19,000 - 22,000
Grayson Perry
Forest Spirit Alan Planter, 2022
Sculpture / Object
Ceramic
GBP 2,350
Sandro Chia
Figure con albero, 1994
Sculpture / Object
Ceramic
EUR 7,300
Grayson Perry
Piggy Bank, 2017
Sculpture / Object
Ceramic
EUR 950
Mimmo Paladino
Senza titolo, 2003
Sculpture / Object
Ceramic
EUR 8,300
Pablo Picasso
Face With Circles R140, 1969
Ceramics
Ceramic
USD 15,500
Pablo Picasso
Heads #367 (Ceramic Pitcher), 1956
Ceramics
Ceramic
USD 6,400
Carlos Cruz-Diez
Stèle horizontale 9, 2008
Ceramics
Ceramic
EUR 12,000
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Futurism was an early 20th-century art movement that sought to capture the energy and dynamism of the modern world. The movement was launched by Italian poet Filippo Tommaso Marinetti, who published the Manifesto of Futurism on February 20, 1909. Futurism denounced the past and passionately embraced technology, industry, and the speed of modern life.
Readymade is the term coined by French artist Marcel Duchamp to describe artworks created from manufactured objects. Duchamp selected ordinary, functional items that he felt had visual indifference, turning them into art simply by choosing and presenting them in a new context. This concept challenged traditional notions of art and continues to influence artists who adopt similar approaches today.
