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Hand-signed by the artist, front. Yue Minjun’s Untitled (Smile-ism No. 25) (2006) is a striking lithograph that embodies his signature satirical and surrealist style. Featuring three nearly identical, semi-nude male figures reclining on a white surface, their exaggerated grins stretch unnaturally across their faces. Their pinkish, almost sunburned skin contrasts starkly against the pale background, emphasizing the grotesque, almost mechanical nature of their laughter. Minjun, a leading figure in China’s Cynical Realism movement, often uses self-portraiture to explore themes of identity, absurdity, and collective experience. The forced, almost unsettling laughter in Smile-ism No. 25 critiques societal pressures, mass conformity, and the contradictions within contemporary life. The piece, part of a limited edition of 45, captures Minjun’s ability to transform humor into a vehicle for deeper introspection and social commentary.
Untitled (Smile-ism No.25), 2006
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80 x 109.5 cm
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Details
Artist
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Hand-signed by the artist, front. Yue Minjun’s Untitled (Smile-ism No. 25) (2006) is a striking lithograph that embodies his signature satirical and surrealist style. Featuring three nearly identical, semi-nude male figures reclining on a white surface, their exaggerated grins stretch unnaturally across their faces. Their pinkish, almost sunburned skin contrasts starkly against the pale background, emphasizing the grotesque, almost mechanical nature of their laughter. Minjun, a leading figure in China’s Cynical Realism movement, often uses self-portraiture to explore themes of identity, absurdity, and collective experience. The forced, almost unsettling laughter in Smile-ism No. 25 critiques societal pressures, mass conformity, and the contradictions within contemporary life. The piece, part of a limited edition of 45, captures Minjun’s ability to transform humor into a vehicle for deeper introspection and social commentary.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
