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Lithograph on Rives BFK paper // Untitled (Smile-ism No. 14) by Yue Minjun is a limited edition lithograph from 2006, crafted on Rives BFK paper. The artwork features two identical figures with exaggerated, open-mouthed smiles, a signature style of Minjun that critiques and explores the human condition. The figures, with their pink-hued skin and intense grins, convey a surreal and unsettling energy, blending humor with a sense of existential unease. The lithograph medium enhances the visual texture, while the composition's boldness is amplified by the vibrant contrast of colors, inviting contemplation on themes of identity and emotion.
Untitled (Smile-ism No. 14), 2006
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109.2 x 88.9 cm
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Details
Artist
Styles
Lithograph on Rives BFK paper // Untitled (Smile-ism No. 14) by Yue Minjun is a limited edition lithograph from 2006, crafted on Rives BFK paper. The artwork features two identical figures with exaggerated, open-mouthed smiles, a signature style of Minjun that critiques and explores the human condition. The figures, with their pink-hued skin and intense grins, convey a surreal and unsettling energy, blending humor with a sense of existential unease. The lithograph medium enhances the visual texture, while the composition's boldness is amplified by the vibrant contrast of colors, inviting contemplation on themes of identity and emotion.
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What is Political Pop?
Political Pop was an art movement that emerged in China during the 1980s, blending the Pop Art style of Western countries with the socialist realism of China. This movement arose during a time of rapid social and political change in China, as artists sought to create works that questioned and critiqued these cultural shifts. Political Pop often juxtaposed iconic images from Chinese propaganda with Western consumer culture, highlighting the tensions between tradition and modernization.
