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Lithograph on Akawara paper. Woman with long hair and corset (1970) by Willem de Kooning is a lithograph that captures the artist’s fluid, gestural abstraction, rooted in the tradition of Abstract Expressionism. Executed on Akawara paper, the image features energetic black strokes and blurred, smoky washes that evoke the suggestion of a female figure—her long hair flowing and body cinched in a corset. The work exemplifies de Kooning’s unique ability to merge figuration with abstraction, allowing form to emerge through movement and emotion. This print reflects his continued fascination with the female figure, translated into expressive marks and layered textures.
Woman with long hair and corset, 1970
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80.6 x 59.8 cm
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Details
Artist
Styles
Lithograph on Akawara paper. Woman with long hair and corset (1970) by Willem de Kooning is a lithograph that captures the artist’s fluid, gestural abstraction, rooted in the tradition of Abstract Expressionism. Executed on Akawara paper, the image features energetic black strokes and blurred, smoky washes that evoke the suggestion of a female figure—her long hair flowing and body cinched in a corset. The work exemplifies de Kooning’s unique ability to merge figuration with abstraction, allowing form to emerge through movement and emotion. This print reflects his continued fascination with the female figure, translated into expressive marks and layered textures.
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Willem De Kooning
Untitled From Self Portrait In A Convex Mirror, 1984
Limited Edition Print
Lithograph
Inquire For Price
Willem De Kooning
Woman With Long Hair And Corset, 1970
Limited Edition Print
Lithograph
Inquire For Price
Willem De Kooning
Rainbow: Thelonious Monk Devil At, 1972/76
Limited Edition Print
Lithograph
USD 4,200
Willem De Kooning
You Are Gorgeous And Im Coming, 1988
Limited Edition Print
Lithograph
Inquire For Price
Willem De Kooning
Rainbow: Thelonious Monk Devil At The Keyboard, 1972/76
Limited Edition Print
Lithograph
Currently Not Available
What is action painting?
Action Painting is a style of painting where the physical act of creating art—such as gestural brushstrokes, splashing or dripping paint, or moving and dancing while applying paint—is considered essential to the artwork itself. This approach emphasizes the artist's movement and spontaneity as integral to the creative process.
