Details
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Lithograph in colors on wove paper Signed in the lithographic plate 26 ½ x 33 ½ in (67.3 x 85 cm), unframed From the edition of 150 with 15 artist's proofs With the blind-stamp of the publisher, The Rainbow Art Foundation, New York // Willem de Kooning’s Man and the Big Blonde (1982) is a vibrant lithograph that embodies the dynamic and gestural style of Abstract Expressionism. The piece features a blend of bold yellow, red, and grey tones, creating an energetic composition that highlights the movement and spontaneity characteristic of de Kooning's work. The swirling shapes and layered textures give the impression of fluidity and motion, while the broad strokes evoke a sense of raw emotion. Published by The Rainbow Art Foundation, this edition of 150 prints, along with 15 artist’s proofs, showcases de Kooning’s mastery in capturing abstract forms and energy.
Man and the Big Blonde, 1982
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67.3 x 85 cm
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Price
Details
Artist
Styles
Lithograph in colors on wove paper Signed in the lithographic plate 26 ½ x 33 ½ in (67.3 x 85 cm), unframed From the edition of 150 with 15 artist's proofs With the blind-stamp of the publisher, The Rainbow Art Foundation, New York // Willem de Kooning’s Man and the Big Blonde (1982) is a vibrant lithograph that embodies the dynamic and gestural style of Abstract Expressionism. The piece features a blend of bold yellow, red, and grey tones, creating an energetic composition that highlights the movement and spontaneity characteristic of de Kooning's work. The swirling shapes and layered textures give the impression of fluidity and motion, while the broad strokes evoke a sense of raw emotion. Published by The Rainbow Art Foundation, this edition of 150 prints, along with 15 artist’s proofs, showcases de Kooning’s mastery in capturing abstract forms and energy.
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.
