Sam Francis

Untitled, 1984

106.7 X 73 inch

Walter Niedermayr, Hintertuxergletscher XXIII, 2004, diptych C-print of a glacier landscape with rocky formations and minimalistic white expanse, reflecting nature-human interaction.

set of 2 c-prints. size each: 40 x 30 cm // Walter Niedermayr's Hintertuxergletscher XXIII is a diptych that captures the Hintertux Glacier in Austria, focusing on the juxtaposition of natural landscapes and human intervention. Each of the two C-prints in this set depicts a rocky formation surrounded by a minimalistic, almost surreal white expanse. The slight desaturation and cool tones lend the image an ethereal, otherworldly feel, highlighting the isolation and the impact of tourism and infrastructure on natural sites. Niedermayr’s composition emphasizes the delicate balance between nature and human presence, encouraging viewers to reflect on the relationship between these realms. Limited to an edition of 100, this work exemplifies Niedermayr's signature approach to minimalist and contemplative landscapes.

Artwork Copyright © Walter Niedermayr

Hintertuxergletscher XXIII (set of 2), 2004

form

Medium

Edition

set of 2 c-prints. size each: 40 x 30 cm // Walter Niedermayr's Hintertuxergletscher XXIII is a diptych that captures the Hintertux Glacier in Austria, focusing on the juxtaposition of natural landscapes and human intervention. Each of the two C-prints in this set depicts a rocky formation surrounded by a minimalistic, almost surreal white expanse. The slight desaturation and cool tones lend the image an ethereal, otherworldly feel, highlighting the isolation and the impact of tourism and infrastructure on natural sites. Niedermayr’s composition emphasizes the delicate balance between nature and human presence, encouraging viewers to reflect on the relationship between these realms. Limited to an edition of 100, this work exemplifies Niedermayr's signature approach to minimalist and contemplative landscapes.

Artwork Copyright © Walter Niedermayr

Walter Niedermayr

Hintertuxergletscher XXIII (set Of 2), 2004

Photography

C-Print

Currently Not Available

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In the 1960s, Funk Art emerged as a reactive movement against Abstract Expressionism. It was widely known as an anti-establishment movement, with the name derived from the jazz term funky. This term carried both positive and negative connotations: in the jazz world, it described passion, quirkiness, and sensuality, but it could also refer to a foul odor. Funk Art was particularly popular in the California Bay Area. While the artists of the Funk Art era shared similar attitudes and styles, they did not see themselves as part of a formal group or movement.

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