Sam Francis

Untitled, 1984

106.7 X 73 inch

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PF 657

Walter Leblanc Untitled acrylic on paper; minimalistic composition with curved dotted lines and horizontal linear elements in monochrome.
Walter Leblanc Untitled acrylic on paper; minimalistic composition with curved dotted lines and horizontal linear elements in monochrome.
Walter Leblanc Untitled acrylic on paper; minimalistic composition with curved dotted lines and horizontal linear elements in monochrome.
Working extensively in Kinetic and Optical art, Walter Le Blanc is celebrated for his work with the Torsion technique – on both canvas and sculpture, the artist would tighten and twist such materials as painted cotton threads and plastic ribbons over a traditional support to create simple geometric shapes and ray-like patt Read More
Artwork Copyright © Walter Leblanc

Untitled, 1949

form
Medium

// Walter Leblanc's Untitled (1949) is an acrylic on paper work that embodies the artist's early explora (...) Show More
Working extensively in Kinetic and Optical art, Walter Le Blanc is celebrated for his work with the Torsion technique – on both canvas and sculpture, the artist would tighten and twist such materials as painted cotton threads and plastic ribbons over a traditional support to create simple geometric shapes and ray-like patt Read More
Artwork Copyright © Walter Leblanc

Walter Leblanc

Untitled, 1949

Painting

Acrylic On Paper

EUR 16,600

Walter Leblanc

PF 657

Painting

Mixed Media

EUR 32,000

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What is ‘light and space’?

The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.

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