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Edition of 100 - Epson Ultrachrome inkjet on linen - Signed and numbered on the front - In mint condition // Wade Guyton's X Poster WG1211 from 2007 is a bold, minimalist inkjet print on linen, created with Epson Ultrachrome ink. This large-format piece, measuring 214 by 175 cm, is part of an edition of 100 and is signed and numbered by the artist. The composition features a striking, fragmented black X set against a stark white background, where subtle imperfections and lines reveal the process of digital printing. Guyton’s use of the X motif is emblematic of his exploration of technology's impact on art, as well as the tension between digital precision and physical imperfection. The sharp, geometric forms and the grainy texture evoke a sense of industrial rawness, while the large scale immerses the viewer, amplifying the piece’s minimalist power.
X Poster WG1211, 2007, 2019
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214 x 175 cm
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Edition of 100 - Epson Ultrachrome inkjet on linen - Signed and numbered on the front - In mint condition // Wade Guyton's X Poster WG1211 from 2007 is a bold, minimalist inkjet print on linen, created with Epson Ultrachrome ink. This large-format piece, measuring 214 by 175 cm, is part of an edition of 100 and is signed and numbered by the artist. The composition features a striking, fragmented black X set against a stark white background, where subtle imperfections and lines reveal the process of digital printing. Guyton’s use of the X motif is emblematic of his exploration of technology's impact on art, as well as the tension between digital precision and physical imperfection. The sharp, geometric forms and the grainy texture evoke a sense of industrial rawness, while the large scale immerses the viewer, amplifying the piece’s minimalist power.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
