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Hand signed and dated (2001) by the artist. // Obey (Ripped) by Shepard Fairey is a raw and provocative lithograph created in 2001. The print features Fairey’s signature bold contrast of black and white, with a distressed, torn appearance that hints at rebellion and the impermanence of public art. The iconic Obey logo in the bottom corner, along with the jagged, fragmented imagery, evokes a sense of urban grit and countercultural resistance. Fairey’s work, often associated with street art and political statements, uses a simplified palette and impactful design to draw attention to themes of power, control, and dissent. This open edition print is hand-signed and dated by Fairey, adding a personal touch to the piece’s commentary on authority and subversion.
Obey (Ripped), 2001
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91.4 x 61 cm
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Details
Artist
Styles
Hand signed and dated (2001) by the artist. // Obey (Ripped) by Shepard Fairey is a raw and provocative lithograph created in 2001. The print features Fairey’s signature bold contrast of black and white, with a distressed, torn appearance that hints at rebellion and the impermanence of public art. The iconic Obey logo in the bottom corner, along with the jagged, fragmented imagery, evokes a sense of urban grit and countercultural resistance. Fairey’s work, often associated with street art and political statements, uses a simplified palette and impactful design to draw attention to themes of power, control, and dissent. This open edition print is hand-signed and dated by Fairey, adding a personal touch to the piece’s commentary on authority and subversion.
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What is Street art?
Street Art is artwork created and executed in public spaces, outside of traditional art venues. It gained popularity during the 1980s graffiti art boom and has since evolved into various forms and styles. Common forms of Street Art include pop-up art, sticker art, stencil graffiti, and street installations or sculptures. Terms like guerrilla art, neo-graffiti, post-graffiti, and urban art are often used interchangeably to describe this genre, which challenges conventional ideas about where and how art should be displayed.