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Etching in colors on Guarro paper, signed in black crayon. Rufino Tamayo’s Tres Manos En Rojo is an etching from 1979 that combines bold symbolism with tactile surface effects. Three vivid red hands rise against a textured field of deep blue and muted beige, their forms simplified yet expressive. The contrast between the saturated red and the rough, layered background creates a sense of urgency and presence, as if the hands are emerging or reaching outward. Tamayo often explored universal human themes, and here the repeated motif suggests communication, identity, or collective experience. Produced in an edition of 99 plus 15 hors commerce impressions, the print reflects his distinctive blend of modern abstraction and figurative resonance.
Tres Manos En Rojo, P. 260, 1979
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55.9 x 76.2 cm
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Details
Artist
Styles
Etching in colors on Guarro paper, signed in black crayon. Rufino Tamayo’s Tres Manos En Rojo is an etching from 1979 that combines bold symbolism with tactile surface effects. Three vivid red hands rise against a textured field of deep blue and muted beige, their forms simplified yet expressive. The contrast between the saturated red and the rough, layered background creates a sense of urgency and presence, as if the hands are emerging or reaching outward. Tamayo often explored universal human themes, and here the repeated motif suggests communication, identity, or collective experience. Produced in an edition of 99 plus 15 hors commerce impressions, the print reflects his distinctive blend of modern abstraction and figurative resonance.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
