Details
Artist
Styles
Lithograph in colors; Hand-signed lower right in white crayon. Numbered lower left in white crayon. Ref.: Pereda 152// Dos Figuras exemplifies Rufino Tamayo's engagement with lyrical abstraction and figural suggestion within the lithographic medium. Executed in 1973 in a limited edition of seventy-five, the work demonstrates Tamayo's mastery of color relationships and compositional balance. The print celebrates the artist's distinctive voice as a Mexican modernist who successfully synthesized indigenous visual traditions with European formal innovation, creating a body of work that remains essential to twentieth-century Latin American art.
Dos Figuras, 1973
form
Medium
Size
76 x 56 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Lithograph in colors; Hand-signed lower right in white crayon. Numbered lower left in white crayon. Ref.: Pereda 152// Dos Figuras exemplifies Rufino Tamayo's engagement with lyrical abstraction and figural suggestion within the lithographic medium. Executed in 1973 in a limited edition of seventy-five, the work demonstrates Tamayo's mastery of color relationships and compositional balance. The print celebrates the artist's distinctive voice as a Mexican modernist who successfully synthesized indigenous visual traditions with European formal innovation, creating a body of work that remains essential to twentieth-century Latin American art.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
