Details
Artist
Styles
1 adhesive (cfr. sticker verso) kitchen hotplate, with yellow motif. Silkscreen-printing on cellular rubber, verso adhesive film layer. Total frame 28 x 28 cm x 0.8 cm , cut out hotplate diameter 24 cm (x 0.8 cm) Hand signed and numbered in felt pen on yellow label (recto on outer frame). // This striking multiple by Rosemarie Trockel transforms an ordinary adhesive kitchen hotplate into a charged conceptual object. The circular form, rendered in bright yellow silkscreen on cellular rubber, evokes the domestic hob motif central to Trockel’s investigation of gender, craft, and the politics of the everyday. Part of an edition of fifty in yellow, the work bridges Pop sensibility and feminist critique, inviting the viewer to reconsider the boundary between art and utilitarian design. Hand-signed and numbered, it remains a quintessential example of Trockel’s subversive wit and material intelligence.
Ex voto Platte, 2000
form
Medium
Size
28 x 28 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
1 adhesive (cfr. sticker verso) kitchen hotplate, with yellow motif. Silkscreen-printing on cellular rubber, verso adhesive film layer. Total frame 28 x 28 cm x 0.8 cm , cut out hotplate diameter 24 cm (x 0.8 cm) Hand signed and numbered in felt pen on yellow label (recto on outer frame). // This striking multiple by Rosemarie Trockel transforms an ordinary adhesive kitchen hotplate into a charged conceptual object. The circular form, rendered in bright yellow silkscreen on cellular rubber, evokes the domestic hob motif central to Trockel’s investigation of gender, craft, and the politics of the everyday. Part of an edition of fifty in yellow, the work bridges Pop sensibility and feminist critique, inviting the viewer to reconsider the boundary between art and utilitarian design. Hand-signed and numbered, it remains a quintessential example of Trockel’s subversive wit and material intelligence.
What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
