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Original serigraph on paper - Published by Domberger KG Filderstadt West Germany - Hand initialed by the artist // Robert Mangold's Untitled 2 (1992) from A Book of Silk Screen Prints is a serigraph measuring 29.2 x 61 cm. This minimalist composition features a subtle triangular form against a mostly blank background, embodying Mangold's restrained style and focus on geometric abstraction. The muted, delicate lines defining the triangle contrast softly with the surrounding negative space, creating a contemplative balance and simplicity. Published by Domberger KG in West Germany, this piece reflects Mangold’s interest in exploring form, proportion, and the quiet interactions of shapes. The print emphasizes the artist’s ability to evoke depth and harmony through the most minimal of visual elements.
Untitled 2 ( from A Book of Silk Screen Prints), 1992
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29.2 x 61 cm
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Details
Artist
Styles
Original serigraph on paper - Published by Domberger KG Filderstadt West Germany - Hand initialed by the artist // Robert Mangold's Untitled 2 (1992) from A Book of Silk Screen Prints is a serigraph measuring 29.2 x 61 cm. This minimalist composition features a subtle triangular form against a mostly blank background, embodying Mangold's restrained style and focus on geometric abstraction. The muted, delicate lines defining the triangle contrast softly with the surrounding negative space, creating a contemplative balance and simplicity. Published by Domberger KG in West Germany, this piece reflects Mangold’s interest in exploring form, proportion, and the quiet interactions of shapes. The print emphasizes the artist’s ability to evoke depth and harmony through the most minimal of visual elements.
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Robert Mangold
Untitled 2 ( From A Book Of Silk Screen Prints), 1992
Limited Edition Print
Serigraph
USD 1,100
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
