
Details
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Original serigraph on paper - Published by Domberger KG Filderstadt West Germany // Robert Mangold’s Untitled 1 (1992) from A Book of Silk Screen Prints is a limited edition serigraph, measuring 11.5 x 24 cm. This work showcases Mangold’s minimalist approach to geometric abstraction, featuring a large triangular shape filled with a muted yellow tone against a white background. Thin, precise lines within the triangle suggest a doorway or architectural form, inviting viewers to ponder spatial depth within a flat plane. Mangold’s careful balance of color and line reflects his mastery of simplicity and restraint, with each element serving to create a contemplative and structured composition. The print, published by Domberger KG in West Germany, embodies Mangold’s exploration of form, space, and the interaction of subtle details.
Untitled 1 ( from A Book of Silk Screen Prints), 1992
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29.2 x 61 cm
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Edition
Price
Details
Artist
Styles
Original serigraph on paper - Published by Domberger KG Filderstadt West Germany // Robert Mangold’s Untitled 1 (1992) from A Book of Silk Screen Prints is a limited edition serigraph, measuring 11.5 x 24 cm. This work showcases Mangold’s minimalist approach to geometric abstraction, featuring a large triangular shape filled with a muted yellow tone against a white background. Thin, precise lines within the triangle suggest a doorway or architectural form, inviting viewers to ponder spatial depth within a flat plane. Mangold’s careful balance of color and line reflects his mastery of simplicity and restraint, with each element serving to create a contemplative and structured composition. The print, published by Domberger KG in West Germany, embodies Mangold’s exploration of form, space, and the interaction of subtle details.
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Robert Mangold
Untitled 2 ( From A Book Of Silk Screen Prints), 1992
Limited Edition Print
Serigraph
USD 1,100
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.