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Ditone print on Hahnemühle Photo Rag Ultra Smooth 305g paper - Signed and numbered on the front // Robert Longo’s Untitled (Bucephalus) is a powerful and striking depiction of a horse, presented in a deeply atmospheric black and white print. Named after Bucephalus, the legendary horse of Alexander the Great, the image conveys a sense of strength, dignity, and somber beauty. The horse’s muscular form is rendered with intricate detail, its head slightly bowed as if in contemplation or readiness for battle. Longo’s mastery of chiaroscuro (the interplay of light and shadow) is evident in the dramatic contrasts, which enhance the form and texture of the horse’s mane and bridle. The dark, moody sky in the background adds to the emotional intensity of the work, evoking a sense of both power and melancholy. Signed and numbered on the front, this Ditone print on Hahnemühle paper exemplifies Longo’s ability to merge hyperrealism with symbolic depth, drawing viewers into a meditative, almost mythical contemplation of strength and resilience.
Untitled (Bucephalus), 2017
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55.9 x 61 cm
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Details
Artist
Styles
Ditone print on Hahnemühle Photo Rag Ultra Smooth 305g paper - Signed and numbered on the front // Robert Longo’s Untitled (Bucephalus) is a powerful and striking depiction of a horse, presented in a deeply atmospheric black and white print. Named after Bucephalus, the legendary horse of Alexander the Great, the image conveys a sense of strength, dignity, and somber beauty. The horse’s muscular form is rendered with intricate detail, its head slightly bowed as if in contemplation or readiness for battle. Longo’s mastery of chiaroscuro (the interplay of light and shadow) is evident in the dramatic contrasts, which enhance the form and texture of the horse’s mane and bridle. The dark, moody sky in the background adds to the emotional intensity of the work, evoking a sense of both power and melancholy. Signed and numbered on the front, this Ditone print on Hahnemühle paper exemplifies Longo’s ability to merge hyperrealism with symbolic depth, drawing viewers into a meditative, almost mythical contemplation of strength and resilience.
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Robert Longo
Gretchen & Jules (Men In The Cities), 1982; 1983
Limited Edition Print
Lithograph
Inquire For Price
Robert Longo
Jules, From Men In The Cities, 2002
Limited Edition Print
Lithograph
USD 40,000 - 45,000
Robert Longo
Men In The Cities, Tokyo, Seibu Department Stores, Ltd. IV (Single Woman), 1990
Limited Edition Print
Lithograph
USD 30,000 - 40,000
Robert Longo
Men In The Cities, Tokyo, Seibu Department Stores, Ltd. I (3 Men), 1990
Limited Edition Print
Lithograph
USD 23,500
Robert Longo
Men In The Cities, Tokyo, Seibu Department Stores, Ltd. II (3 Women), 1990
Limited Edition Print
Lithograph
USD 22,500
Robert Longo
Men In The Cities, Tokyo, Seibu Department Stores, Ltd. III (Mixed), 1990
Limited Edition Print
Lithograph
USD 23,500
Robert Longo
Essentials (from The Forty Are Better Than One Series), 2009
Limited Edition Print
Pigment Print
Inquire For Price
Robert Longo
Untitled (Gun), From The Hope And Optimism Portfolio, 1993
Limited Edition Print
Screen-print
USD 17,800
Robert Longo
Eric From Men In The Cities (color), 2014
Limited Edition Print
Archival Print
USD 7,200
Robert Longo
Cindy From Men In The Cities, 2000
Limited Edition Print
Lithograph
Currently Not Available
Robert Longo
Joseph (from The Men In The Cities Series), 2000
Limited Edition Print
Lithograph
Currently Not Available
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.