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Untitled (Rulers III), 2011 - Photo gravure and emboss - 4 plates of 8 x 12 cm. -Printed on Zerkall-Butten, 450 gr. of 27 x 40 cm. Edition of 11 // Rita McBride's Untitled (Rulers III) (2011) is a vibrant photogravure that uses everyday objects to create an abstract and layered composition. The focal point is a yellow measuring tape laid against a textured, colorful surface with bold hues of green, red, and black. The interaction between the ruler’s clear numerical markings and the vivid abstract background introduces a contrast between measurement and organic forms, highlighting themes of precision versus spontaneity. Printed on Zerkall-Butten paper, this work combines photogravure and embossing techniques, adding depth and tactility. Untitled (Rulers III) reflects McBride's fascination with utilitarian objects transformed into visual art.
Untitled (Rulers III), 2011
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Details
Artist
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Untitled (Rulers III), 2011 - Photo gravure and emboss - 4 plates of 8 x 12 cm. -Printed on Zerkall-Butten, 450 gr. of 27 x 40 cm. Edition of 11 // Rita McBride's Untitled (Rulers III) (2011) is a vibrant photogravure that uses everyday objects to create an abstract and layered composition. The focal point is a yellow measuring tape laid against a textured, colorful surface with bold hues of green, red, and black. The interaction between the ruler’s clear numerical markings and the vivid abstract background introduces a contrast between measurement and organic forms, highlighting themes of precision versus spontaneity. Printed on Zerkall-Butten paper, this work combines photogravure and embossing techniques, adding depth and tactility. Untitled (Rulers III) reflects McBride's fascination with utilitarian objects transformed into visual art.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
