One Stroke Circle by Nobuo Sekine, created in 1974, is a sculptural piece that embodies the artist’s meditative approach to form and material. Crafted from black granite and set on a wooden pedestal, the circular shape features an abstract, yin-yang-like void within, suggesting balance and duality. The textured surface and carved lines within the circle add depth and invite contemplation of its minimalist beauty. Sekine, a key figure in the Mono-ha movement, often emphasizes natural materials and simple forms to evoke a connection between the physical and the conceptual. This work resonates with themes of harmony, space, and the fluidity of perception.
Nobuo Sekine (Japan, 1942–2019) was a pivotal figure in the Mono-ha movement, renowned for his minimalist sculptures that explored the relationship between natural and industrial materials. His seminal work, 'Phase—Mother Earth' (1968), featured a cylindrical hole and its corresponding earth mound, challenging perceptions of space and matter. Sekine's art is featured in major institutions, including the National Museum of Art in Osaka and the Louisiana Museum of Modern Art in Denmark.
SculptureAcrylic sculpture refers to both a process and the resulting object. The artist begins by creating a sculpture from clay, plaster, or epoxy, which is then used to make a flexible mold. Melted acrylic is poured into the mold, and once it cures, the acrylic piece is hand-finished through sanding and polishing. Acrylic sculptures are valued for their clarity, durability, and ability to achieve intricate details.
One Stroke Circle by Nobuo Sekine, created in 1974, is a sculptural piece that embodies the artist’s meditative approach to form and material. Crafted from black granite and set on a wooden pedestal, the circular shape features an abstract, yin-yang-like void within, suggesting balance and duality. The textured surface and carved lines within the circle add depth and invite contemplation of its minimalist beauty. Sekine, a key figure in the Mono-ha movement, often emphasizes natural materials and simple forms to evoke a connection between the physical and the conceptual. This work resonates with themes of harmony, space, and the fluidity of perception.
Nobuo Sekine (Japan, 1942–2019) was a pivotal figure in the Mono-ha movement, renowned for his minimalist sculptures that explored the relationship between natural and industrial materials. His seminal work, 'Phase—Mother Earth' (1968), featured a cylindrical hole and its corresponding earth mound, challenging perceptions of space and matter. Sekine's art is featured in major institutions, including the National Museum of Art in Osaka and the Louisiana Museum of Modern Art in Denmark.
Even in the simplest structures, multiple landscapes or thoughts can be expressed.
- Nobuo Sekine
A founding member of the Mono-ha (School of Things) movement, Nobuo Sekine is a contemporary Japanese artist, renowned for his exploration of the relationship between natural and man-made materials, pertaining to the spaces that they inhabit. Working across sculpture and multi-media wall pieces, Sekine has explained: “I believe that my job is to convey the richness of nature to viewers” - one of his most important works, Phase – Mother Earth, evokes the idea of a utopian society and the aura of mythology through his bare, yet well-constructed placement of stone and earth. A fellow artist and one of Sekine’s influences, Lee Ufan, was a co-founder of the Mono-ha movement; with Ufan’s philosophical input regarding self-awareness and natural phenomena, Sekine found the catalyst and the channel through which he could project his own love of nature and the values that it represents. (Artist website)
Earth art, also known as Land Art, emerged in the 1960s and 70s as part of the conceptual art movement. It involves creating artworks by sculpting the land or constructing structures in the landscape using natural materials like earth, rocks, or twigs. These works are often large-scale and emphasize the relationship between art and nature.