


Details
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The complete portfolio of four digital prints in colors including text by the artist, on Hahnemüle paper, the full sheets, all contained in the original heavy card folio - All signed, titled, dated, and numbered - Published by Marcel Kalksma, Amsterdam. - Including: The Fog of War; Collateral Damage; Friendly Fire; and The Refugee // The Fog of War by Marlene Dumas is a powerful portfolio of four digital prints created in 2006, each print capturing haunting, distorted portraits that convey deep emotional tension. The portfolio includes individual pieces titled The Fog of War, Collateral Damage, Friendly Fire, and The Refugee. Rendered in monochromatic tones on Hahnemühle paper, the compositions highlight Dumas’ skill in using minimalistic color and fluid brushstrokes to evoke visceral responses. Each face appears submerged or fragmented, reflecting themes of suffering, conflict, and the dehumanizing effects of war. Known for her exploration of identity and societal issues, Dumas uses these intense portraits to confront viewers with the psychological impacts of violence and displacement.
The Fog of War, 2006
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45.7 x 35.6 cm
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Details
Artist
Styles
The complete portfolio of four digital prints in colors including text by the artist, on Hahnemüle paper, the full sheets, all contained in the original heavy card folio - All signed, titled, dated, and numbered - Published by Marcel Kalksma, Amsterdam. - Including: The Fog of War; Collateral Damage; Friendly Fire; and The Refugee // The Fog of War by Marlene Dumas is a powerful portfolio of four digital prints created in 2006, each print capturing haunting, distorted portraits that convey deep emotional tension. The portfolio includes individual pieces titled The Fog of War, Collateral Damage, Friendly Fire, and The Refugee. Rendered in monochromatic tones on Hahnemühle paper, the compositions highlight Dumas’ skill in using minimalistic color and fluid brushstrokes to evoke visceral responses. Each face appears submerged or fragmented, reflecting themes of suffering, conflict, and the dehumanizing effects of war. Known for her exploration of identity and societal issues, Dumas uses these intense portraits to confront viewers with the psychological impacts of violence and displacement.
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.