Details
Artist
Styles
From the Stamped Indelibly Portfolio - Rubber Stamp on BFK Rives paper - Signed and Dated - Originated from a Portfolio Book #142 of which 225 books were made - Published by William Katz, New York and offered for sale through Multiples, Inc., New York. // Marisol Escobar's Untitled (from the Stamped Indelibly) (1967) is a mixed media print that reflects her unique approach to line and form. Created using a rubber stamp on BFK Rives paper, this artwork depicts a hand holding a vibrant, spiky flower. The use of simple, bold lines in red and blue gives the image a playful yet expressive quality, highlighting Marisol's skill in combining everyday objects with a touch of whimsy. The piece originates from a limited edition portfolio book (#142 of 225) published by William Katz and distributed through Multiples, Inc. The artist's signature and date are featured, emphasizing its authenticity and collectible nature.
Untitled (from the Stamped Indelibly), 1967
form
Medium
Size
24.1 x 16.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
From the Stamped Indelibly Portfolio - Rubber Stamp on BFK Rives paper - Signed and Dated - Originated from a Portfolio Book #142 of which 225 books were made - Published by William Katz, New York and offered for sale through Multiples, Inc., New York. // Marisol Escobar's Untitled (from the Stamped Indelibly) (1967) is a mixed media print that reflects her unique approach to line and form. Created using a rubber stamp on BFK Rives paper, this artwork depicts a hand holding a vibrant, spiky flower. The use of simple, bold lines in red and blue gives the image a playful yet expressive quality, highlighting Marisol's skill in combining everyday objects with a touch of whimsy. The piece originates from a limited edition portfolio book (#142 of 225) published by William Katz and distributed through Multiples, Inc. The artist's signature and date are featured, emphasizing its authenticity and collectible nature.
What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
