Details
Artist
Styles
Etching, aquatint, soft paint and drypoint on glossy paper - Signature and number of the specimen in pencil on lower right margin - Embossed stamp on the lower right margin of the editor Franco Masoero, Turin. // Mario Merz's Senza titolo (1991) is a mixed media print that combines etching, aquatint, soft paint, and drypoint techniques on glossy paper. Measuring 21 x 96.5 cm, the work features two pentagonal frames, each containing an abstract representation of a leaf. The delicate red and orange hues of the leaves contrast with the geometric structures of the frames, creating an interplay between organic and constructed forms. Merz’s work often explores themes of nature and geometry, and this untitled piece encapsulates that tension, blending the natural world with human-made structures in a subtle, contemplative composition.
Senza titolo, 1991
form
Medium
Size
21 x 96.5 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Etching, aquatint, soft paint and drypoint on glossy paper - Signature and number of the specimen in pencil on lower right margin - Embossed stamp on the lower right margin of the editor Franco Masoero, Turin. // Mario Merz's Senza titolo (1991) is a mixed media print that combines etching, aquatint, soft paint, and drypoint techniques on glossy paper. Measuring 21 x 96.5 cm, the work features two pentagonal frames, each containing an abstract representation of a leaf. The delicate red and orange hues of the leaves contrast with the geometric structures of the frames, creating an interplay between organic and constructed forms. Merz’s work often explores themes of nature and geometry, and this untitled piece encapsulates that tension, blending the natural world with human-made structures in a subtle, contemplative composition.
What is Found Object?
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.
