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Wood and turning circle. Hand-signed at the back. Circle diameter 38 cm (15 in). Dinamica Circolare 6S by Marina Apollonio is a circular optical work realized in wood with a turning circle, conceived in 1966 and produced in 2025. The composition consists of tightly spaced black-and-white concentric bands that spiral inward toward a subtle off-center point, generating a powerful sensation of rotation and visual vibration. The precise geometry activates the viewer’s perception, causing the surface to appear in constant motion despite its static form. Rooted in the legacy of Italian Op Art and perceptual abstraction, the work emphasizes rhythm, balance, and sensory engagement over representation. Measuring 50 × 50 cm with a circle diameter of 38 cm, and issued in an edition of 20 plus V, it is hand-signed on the reverse and exemplifies Apollonio’s sustained investigation into visual dynamics.
Dinamica Circolare 6S, 1966-2025
form
Medium
Size
50 x 50 cm
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Details
Artist
Styles
Wood and turning circle. Hand-signed at the back. Circle diameter 38 cm (15 in). Dinamica Circolare 6S by Marina Apollonio is a circular optical work realized in wood with a turning circle, conceived in 1966 and produced in 2025. The composition consists of tightly spaced black-and-white concentric bands that spiral inward toward a subtle off-center point, generating a powerful sensation of rotation and visual vibration. The precise geometry activates the viewer’s perception, causing the surface to appear in constant motion despite its static form. Rooted in the legacy of Italian Op Art and perceptual abstraction, the work emphasizes rhythm, balance, and sensory engagement over representation. Measuring 50 × 50 cm with a circle diameter of 38 cm, and issued in an edition of 20 plus V, it is hand-signed on the reverse and exemplifies Apollonio’s sustained investigation into visual dynamics.
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Marina Apollonio
Dinamica Circolare Ellisse Prospettico, 1969-2025
Sculpture / Object
Wood
EUR 1,500
What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
