Marina Apollonio’s Dinamica Circolare 6Z+R (1965-2021) is a mixed media sculpture featuring a mesmerizing circular design composed of black and white concentric lines. These lines create an optical illusion of movement and depth, as if the circle is dynamically rotating or spiraling inward. The precision of the pattern and the stark contrast between black and white enhance the visual intensity, inviting viewers to experience the sensation of motion. Apollonio’s work is rooted in Op Art, using minimalism and geometric repetition to engage the viewer’s perception and challenge visual stability.
Marina Apollonio (Italy, 1940) is a prominent figure in the Op Art and Kinetic Art movements, celebrated for her precise, dynamic works that explore optical illusion and viewer perception. Using concentric circles, geometric patterns, and vibrant colors, Apollonio’s art challenges spatial boundaries, creating immersive visual experiences. Her innovative contributions continue to influence contemporary abstract art.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
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48 X 48 cm
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Edition of 20
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3,000EUR
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Wood and turning circle - Handsigned at the back
Marina Apollonio’s Dinamica Circolare 6Z+R (1965-2021) is a mixed media sculpture featuring a mesmerizing circular design composed of black and white concentric lines. These lines create an optical illusion of movement and depth, as if the circle is dynamically rotating or spiraling inward. The precision of the pattern and the stark contrast between black and white enhance the visual intensity, inviting viewers to experience the sensation of motion. Apollonio’s work is rooted in Op Art, using minimalism and geometric repetition to engage the viewer’s perception and challenge visual stability.
Marina Apollonio (Italy, 1940) is a prominent figure in the Op Art and Kinetic Art movements, celebrated for her precise, dynamic works that explore optical illusion and viewer perception. Using concentric circles, geometric patterns, and vibrant colors, Apollonio’s art challenges spatial boundaries, creating immersive visual experiences. Her innovative contributions continue to influence contemporary abstract art.
I trained as a painter, but I never really liked it.
- Marina Apollonio
Marina Apollonio is an Italian optical artist and painter who executes her work based on mathematical systems. She received her artistic education at the Venice Academy of Fine Arts, where she followed Professor Giuseppe Santomaso’s painting courses. She desired depersonalization in art, which is opposed to the idea of expressive abstraction. As a result, she started designing illusionistic visual experiences using industrial materials.
Marina adopts basic shapes, such as the circle, and then finds structural devices that bring the figures to life. The end result of her artwork is structures that seem to transform into dynamic, fluctuating spaces to a viewer’s eye.
In many of her works, she creates concentric circles with alternating color sequences, such as black and white. As the viewer’s gaze rotates around the circular planes, a robust optical effect is created. The artist has also done works based on the orthogonal interaction of parallel horizontal and vertical colored lines on black backgrounds. Her works achieve a precise communicative function, but on a strictly visual level.
Marina Apollonio is a member of the international Op Art movement. She has participated in a variety of Optical Arts events across the globe.
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.