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Edition of 150 - Etching and aquatint // Seria Electro Magie I by Man Ray, created in 1969, is an enchanting etching and aquatint that fuses surrealism with symbolic imagery. This limited-edition print features an ethereal, castle-like structure rising above two egg-like forms against a gradient background transitioning from deep burgundy to black. The composition creates a dreamlike scene that embodies Man Ray's exploration of fantasy and mysticism, where the delicate, ghostly tower contrasts with the solidity of the oval forms below. The combination of architectural and organic shapes evokes themes of creation and transformation, hallmark motifs in Man Ray's oeuvre. With only 150 editions, this work is a fine example of the artist’s unique visual language within surrealism.
Seria Electro Magie I, 1969
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28 x 22 cm
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Details
Artist
Styles
Edition of 150 - Etching and aquatint // Seria Electro Magie I by Man Ray, created in 1969, is an enchanting etching and aquatint that fuses surrealism with symbolic imagery. This limited-edition print features an ethereal, castle-like structure rising above two egg-like forms against a gradient background transitioning from deep burgundy to black. The composition creates a dreamlike scene that embodies Man Ray's exploration of fantasy and mysticism, where the delicate, ghostly tower contrasts with the solidity of the oval forms below. The combination of architectural and organic shapes evokes themes of creation and transformation, hallmark motifs in Man Ray's oeuvre. With only 150 editions, this work is a fine example of the artist’s unique visual language within surrealism.
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What is anti-art?
Anti-Art refers to artwork that challenges traditional definitions of art. The term is often attributed to artist Marcel Duchamp, who pioneered the use of readymades—everyday objects presented as art. These works defied conventional expectations that art should adhere to traditional or high art standards.