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Edition of 150 - Etching and aquatint // Seria Electro Magie I by Man Ray, created in 1969, is an enchanting etching and aquatint that fuses surrealism with symbolic imagery. This limited-edition print features an ethereal, castle-like structure rising above two egg-like forms against a gradient background transitioning from deep burgundy to black. The composition creates a dreamlike scene that embodies Man Ray's exploration of fantasy and mysticism, where the delicate, ghostly tower contrasts with the solidity of the oval forms below. The combination of architectural and organic shapes evokes themes of creation and transformation, hallmark motifs in Man Ray's oeuvre. With only 150 editions, this work is a fine example of the artist’s unique visual language within surrealism.
Seria Electro Magie I, 1969
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28 x 22 cm
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Details
Artist
Styles
Edition of 150 - Etching and aquatint // Seria Electro Magie I by Man Ray, created in 1969, is an enchanting etching and aquatint that fuses surrealism with symbolic imagery. This limited-edition print features an ethereal, castle-like structure rising above two egg-like forms against a gradient background transitioning from deep burgundy to black. The composition creates a dreamlike scene that embodies Man Ray's exploration of fantasy and mysticism, where the delicate, ghostly tower contrasts with the solidity of the oval forms below. The combination of architectural and organic shapes evokes themes of creation and transformation, hallmark motifs in Man Ray's oeuvre. With only 150 editions, this work is a fine example of the artist’s unique visual language within surrealism.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.