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From the rare limited edition of 125 - Published by Harry N. Abrams Inc. In collaboration with The Pace Gallery New York - From the suite: "Facade" - Original Serigraph on Paper - Excellent condition - Hand Signed by the Artist // Lullaby for Jumbo by Louise Nevelson is a 1966 limited edition serigraph, part of her Facade suite. This print features a striking black and yellow composition, displaying layered, abstract forms that evoke the artist's iconic assemblages. The central image presents box-like structures with geometric shapes arranged in a complex yet harmonious formation, reminiscent of her sculptural style that often utilized found objects and wood. The contrasting black forms against the vivid yellow background create a dynamic interplay of shadows and shapes, imbuing the piece with a sense of depth and mystery. Known for her exploration of space and form, Nevelson's work here embodies her unique vision of abstract and architectural aesthetic.
Lullaby for Jumbo, 1966
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58.4 x 43.2 cm
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Details
Artist
Styles
From the rare limited edition of 125 - Published by Harry N. Abrams Inc. In collaboration with The Pace Gallery New York - From the suite: "Facade" - Original Serigraph on Paper - Excellent condition - Hand Signed by the Artist // Lullaby for Jumbo by Louise Nevelson is a 1966 limited edition serigraph, part of her Facade suite. This print features a striking black and yellow composition, displaying layered, abstract forms that evoke the artist's iconic assemblages. The central image presents box-like structures with geometric shapes arranged in a complex yet harmonious formation, reminiscent of her sculptural style that often utilized found objects and wood. The contrasting black forms against the vivid yellow background create a dynamic interplay of shadows and shapes, imbuing the piece with a sense of depth and mystery. Known for her exploration of space and form, Nevelson's work here embodies her unique vision of abstract and architectural aesthetic.
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.