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// Rey by Kenneth Noland is a lithograph from 1990 that embodies a dynamic exploration of form and texture. Created as a limited edition of 50, the piece is composed of three horizontal panels filled with abstract shapes, strokes, and markings in red and earthy tones. Noland’s use of overlapping and intersecting lines creates a sense of layered movement, as if capturing a sequence of shifting forms. The rough, gestural quality of the marks adds energy and spontaneity, while the structured panel division suggests an attempt to organize this chaotic expression. Rey exemplifies Noland’s skill in balancing abstraction with a sense of rhythm, inviting viewers to explore the interplay between order and disorder within the artwork.
Rey, 1990
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43 x 64 cm
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Details
Artist
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// Rey by Kenneth Noland is a lithograph from 1990 that embodies a dynamic exploration of form and texture. Created as a limited edition of 50, the piece is composed of three horizontal panels filled with abstract shapes, strokes, and markings in red and earthy tones. Noland’s use of overlapping and intersecting lines creates a sense of layered movement, as if capturing a sequence of shifting forms. The rough, gestural quality of the marks adds energy and spontaneity, while the structured panel division suggests an attempt to organize this chaotic expression. Rey exemplifies Noland’s skill in balancing abstraction with a sense of rhythm, inviting viewers to explore the interplay between order and disorder within the artwork.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.