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From the "Man's best friend" portfolio - Screenprint in black and white, on Saunders Waterford High White paper - Published by Pace Prints, New York. // Man's Best Friend #6 by KAWS is a limited edition screenprint from 2016, showcasing the artist's bold, graphic style. Part of the Man's Best Friend portfolio, this artwork is rendered in black and white on Saunders Waterford High White paper. The composition is characterized by dynamic, intersecting black lines and forms that create an abstract pattern, exuding energy and motion. The stark contrast between the black shapes and the white background emphasizes KAWS's signature use of cartoon-like, expressive line work, inviting viewers to engage with the print’s rhythmic and almost calligraphic structure. Published by Pace Prints in New York, this piece exemplifies KAWS's contemporary approach to pop and street art.
Man's Best Friend #6, 2016
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88.9 x 58.4 cm
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Details
Artist
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From the "Man's best friend" portfolio - Screenprint in black and white, on Saunders Waterford High White paper - Published by Pace Prints, New York. // Man's Best Friend #6 by KAWS is a limited edition screenprint from 2016, showcasing the artist's bold, graphic style. Part of the Man's Best Friend portfolio, this artwork is rendered in black and white on Saunders Waterford High White paper. The composition is characterized by dynamic, intersecting black lines and forms that create an abstract pattern, exuding energy and motion. The stark contrast between the black shapes and the white background emphasizes KAWS's signature use of cartoon-like, expressive line work, inviting viewers to engage with the print’s rhythmic and almost calligraphic structure. Published by Pace Prints in New York, this piece exemplifies KAWS's contemporary approach to pop and street art.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
