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23-color sreenprint with poured resin - Hand-signed by artist // Nemo Librizzi by Julian Schnabel is a silkscreen print from 1998, blending expressive painterly techniques with silkscreen printing, characteristic of Schnabel's bold and textured style. This limited edition work, hand-signed by the artist, is a 23-color screen print combined with poured resin, enhancing its tactile and visual depth. Measuring 38 inches by 36 inches, the piece portrays a figure with an intense gaze and dynamic presence, set against a richly layered background that oscillates between abstraction and portraiture. The white, gestural strokes cutting through the image create a striking contrast, revealing Schnabel’s experimental approach to layering and texture. This work exemplifies his ability to fuse different media, bridging the gap between traditional printmaking and the physicality of painting.
Nemo Librizzi, 1998
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96.5 x 91.4 cm
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Details
Artist
Styles
23-color sreenprint with poured resin - Hand-signed by artist // Nemo Librizzi by Julian Schnabel is a silkscreen print from 1998, blending expressive painterly techniques with silkscreen printing, characteristic of Schnabel's bold and textured style. This limited edition work, hand-signed by the artist, is a 23-color screen print combined with poured resin, enhancing its tactile and visual depth. Measuring 38 inches by 36 inches, the piece portrays a figure with an intense gaze and dynamic presence, set against a richly layered background that oscillates between abstraction and portraiture. The white, gestural strokes cutting through the image create a striking contrast, revealing Schnabel’s experimental approach to layering and texture. This work exemplifies his ability to fuse different media, bridging the gap between traditional printmaking and the physicality of painting.
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Limited Edition Print
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Limited Edition Print
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What is matter painting?
Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.