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Created as a benefit edition for Best Buddies International, a non-profit organization that assists people with intellectual and developmental disabilities. Best Buddies (1992) by Julian Schnabel is a serigraph that merges personal memory with socio-political commentary. Featuring a grainy, red-tinted photographic image of two young children standing closely together, the work evokes themes of friendship, vulnerability, and innocence. Over the image, a thick, gestural white brushstroke forms a loose heart shape encasing the figures, reinforcing their bond. The text “Best Buddies” runs vertically and horizontally in expressive lettering, creating a raw and emotional visual rhythm. This work, part of an edition of 90, underscores Schnabel’s use of found imagery and painterly gesture to craft intimate yet socially aware compositions.
Best Buddies, 1992
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Medium
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147.3 x 111.8 cm
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Details
Artist
Styles
Created as a benefit edition for Best Buddies International, a non-profit organization that assists people with intellectual and developmental disabilities. Best Buddies (1992) by Julian Schnabel is a serigraph that merges personal memory with socio-political commentary. Featuring a grainy, red-tinted photographic image of two young children standing closely together, the work evokes themes of friendship, vulnerability, and innocence. Over the image, a thick, gestural white brushstroke forms a loose heart shape encasing the figures, reinforcing their bond. The text “Best Buddies” runs vertically and horizontally in expressive lettering, creating a raw and emotional visual rhythm. This work, part of an edition of 90, underscores Schnabel’s use of found imagery and painterly gesture to craft intimate yet socially aware compositions.
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Julian Schnabel
Guiseppe (Brooding On The Vast Abyss), 1998
Limited Edition Print
Silkscreen
USD 4,800
Julian Schnabel
Bandini From View Of Dawn In The Tropics Series, 1998
Limited Edition Print
Silkscreen
USD 4,700
What is matter painting?
Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.
