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// Lästerzungen by Jörg Immendorff is a playful yet enigmatic screenprint featuring abstract figures set against a vibrant yellow background. The composition includes a prominent red form, centrally positioned and resembling a winged or organic shape, while smaller shapes in black, purple, and beige float around it. White tree-like silhouettes create a textured backdrop that adds depth and contrast to the piece. Immendorff’s work often engages with political and social themes, and while the exact symbolism of this piece is open to interpretation, the title Lästerzungen (translated as Malicious Tongues) suggests themes of gossip or critique. The whimsical forms and bright color palette lend the work a surreal, almost dreamlike quality, inviting viewers to explore the interplay between form, color, and potential meaning.
Lästerzungen
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Medium
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78 x 106 cm
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Details
Artist
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// Lästerzungen by Jörg Immendorff is a playful yet enigmatic screenprint featuring abstract figures set against a vibrant yellow background. The composition includes a prominent red form, centrally positioned and resembling a winged or organic shape, while smaller shapes in black, purple, and beige float around it. White tree-like silhouettes create a textured backdrop that adds depth and contrast to the piece. Immendorff’s work often engages with political and social themes, and while the exact symbolism of this piece is open to interpretation, the title Lästerzungen (translated as Malicious Tongues) suggests themes of gossip or critique. The whimsical forms and bright color palette lend the work a surreal, almost dreamlike quality, inviting viewers to explore the interplay between form, color, and potential meaning.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
