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Lithograph in colors on T.H. Saunders Waterford. Signed and numbered to lower edge,with publisher's blindstamp. Printed by The Arion Press, San Francisco and published by Mangnolia Editions, Oakland, CA. Literature: Hurowitz 31-35. The life and opinions of Tristam Shandy 2 (Man Collapsed on Sofa; Man Tied to Chair) (1988) by John Baldessari is a lithograph combining black-and-white film stills with minimalist color interventions. Presented on T.H. Saunders Waterford paper, the work juxtaposes two photographic scenes: one of a man collapsed on a sofa, and another of a man tied to an ornate chair. A turquoise line diagonally cuts through both images, intersecting a red circle placed over the seated man's face. This geometric disruption both connects and distances the figures, introducing narrative ambiguity and visual tension. Part of a conceptual series referencing Laurence Sterne’s novel Tristram Shandy, the piece reflects Baldessari’s interest in storytelling, absurdity, and the fragmentation of meaning. Produced in a limited edition of 50.
The life and opinions of Tristam Shandy 2 (Man Collapsed on Sofa; Man Tied to Chair), 1988
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57 x 64 cm
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Details
Artist
Styles
Lithograph in colors on T.H. Saunders Waterford. Signed and numbered to lower edge,with publisher's blindstamp. Printed by The Arion Press, San Francisco and published by Mangnolia Editions, Oakland, CA. Literature: Hurowitz 31-35. The life and opinions of Tristam Shandy 2 (Man Collapsed on Sofa; Man Tied to Chair) (1988) by John Baldessari is a lithograph combining black-and-white film stills with minimalist color interventions. Presented on T.H. Saunders Waterford paper, the work juxtaposes two photographic scenes: one of a man collapsed on a sofa, and another of a man tied to an ornate chair. A turquoise line diagonally cuts through both images, intersecting a red circle placed over the seated man's face. This geometric disruption both connects and distances the figures, introducing narrative ambiguity and visual tension. Part of a conceptual series referencing Laurence Sterne’s novel Tristram Shandy, the piece reflects Baldessari’s interest in storytelling, absurdity, and the fragmentation of meaning. Produced in a limited edition of 50.
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John Baldessari
Throwing Three Balls In The Air To Get A Straight Line (Best Of Thirty-Six Attempts), 1973
Photography
Offset Print
EUR 7,200
John Baldessari
Raised Eyebrows/Furrowed Foreheads (Red, White And Blue) From The Artist For Obama Portfolio, 2008
Limited Edition Print
Screen-print
USD 1,950
John Baldessari
Two Hands (With Distant Figure), 1989-1990
Limited Edition Print
Mixed Media
USD 5,500
John Baldessari
Two Figures (One With Shadow), 1986
Limited Edition Print
Etching And Aquatint
USD 2,500
John Baldessari
The Life And Opinions Of Tristam Shandy 5, 1988
Limited Edition Print
Lithograph
Currently Not Available
John Baldessari
The Life And Opinions Of Tristam Shandy 2 (Man Collapsed On Sofa; Man Tied To Chair), 1988
Limited Edition Print
Lithograph
Currently Not Available
John Baldessari
Visionaire 64 Art Portfolio (Blue), 2014
Limited Edition Print
Screen-print
Currently Not Available
What is Lettrism?
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.
