Details
Artist
Styles
Lithograph in colors on T.H. Saunders Waterford. Signed and numbered to lower edge,with publisher's blindstamp. Printed by The Arion Press, San Francisco and published by Mangnolia Editions, Oakland, CA. Literature: Hurowitz 31-35. The life and opinions of Tristam Shandy 1 (1988) by John Baldessari is a conceptual lithograph that reflects his signature use of appropriated imagery and bold visual juxtapositions. Printed in color on T.H. Saunders Waterford paper, the work isolates photographic fragments—faces and bodies—rendered in duotones of red and cyan, arranged against a stark white background. The piece evokes both intimacy and disconnection, as cropped figures reach toward each other but remain unjoined. Referencing Tristram Shandy, the satirical 18th-century novel by Laurence Sterne, the print mirrors the book’s fragmented narrative structure, highlighting themes of absurdity, desire, and the limits of storytelling. This edition was printed by The Arion Press and published by Magnolia Editions in a limited run of 50.
The life and opinions of Tristam Shandy 1, 1988
form
Medium
Size
56.5 x 69.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Lithograph in colors on T.H. Saunders Waterford. Signed and numbered to lower edge,with publisher's blindstamp. Printed by The Arion Press, San Francisco and published by Mangnolia Editions, Oakland, CA. Literature: Hurowitz 31-35. The life and opinions of Tristam Shandy 1 (1988) by John Baldessari is a conceptual lithograph that reflects his signature use of appropriated imagery and bold visual juxtapositions. Printed in color on T.H. Saunders Waterford paper, the work isolates photographic fragments—faces and bodies—rendered in duotones of red and cyan, arranged against a stark white background. The piece evokes both intimacy and disconnection, as cropped figures reach toward each other but remain unjoined. Referencing Tristram Shandy, the satirical 18th-century novel by Laurence Sterne, the print mirrors the book’s fragmented narrative structure, highlighting themes of absurdity, desire, and the limits of storytelling. This edition was printed by The Arion Press and published by Magnolia Editions in a limited run of 50.
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John Baldessari
Throwing Three Balls In The Air To Get A Straight Line (Best Of Thirty-Six Attempts), 1973
Photography
Offset Print
EUR 7,200
John Baldessari
Raised Eyebrows/Furrowed Foreheads (Red, White And Blue) From The Artist For Obama Portfolio, 2008
Limited Edition Print
Screen-print
USD 1,950
John Baldessari
Two Hands (With Distant Figure), 1989-1990
Limited Edition Print
Mixed Media
USD 5,500
John Baldessari
Two Figures (One With Shadow), 1986
Limited Edition Print
Etching And Aquatint
USD 2,500
John Baldessari
The Life And Opinions Of Tristam Shandy 5, 1988
Limited Edition Print
Lithograph
Currently Not Available
John Baldessari
The Life And Opinions Of Tristam Shandy 2 (Man Collapsed On Sofa; Man Tied To Chair), 1988
Limited Edition Print
Lithograph
Currently Not Available
John Baldessari
Visionaire 64 Art Portfolio (Blue), 2014
Limited Edition Print
Screen-print
Currently Not Available
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
