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Lithograph in colors on Arches paper - Published by Brooke Alexander Editions and Paula Cooper Gallery, New York - Printed by Derrière l'Étoile Studios, New York, // Joel Shapiro’s Untitled (Double Red) (1980) is a lithograph in colors that exemplifies his exploration of geometric abstraction. Printed on Arches paper, this limited edition piece features two adjacent forms: a minimalist red polygon on the right and an outline of a similar shape on the left, rendered in thin, black lines. The pairing of filled and outlined shapes highlights the contrast between presence and absence, solidity and transparency. This composition invites viewers to ponder the relationship between space, form, and color. Published by Brooke Alexander Editions and Paula Cooper Gallery, and printed by Derrière l'Étoile Studios, New York, the print subtly balances simplicity and complexity through its restrained visual elements.
Untitled (Double Red), 1980
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73.7 x 104.1 cm
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Details
Artist
Styles
Lithograph in colors on Arches paper - Published by Brooke Alexander Editions and Paula Cooper Gallery, New York - Printed by Derrière l'Étoile Studios, New York, // Joel Shapiro’s Untitled (Double Red) (1980) is a lithograph in colors that exemplifies his exploration of geometric abstraction. Printed on Arches paper, this limited edition piece features two adjacent forms: a minimalist red polygon on the right and an outline of a similar shape on the left, rendered in thin, black lines. The pairing of filled and outlined shapes highlights the contrast between presence and absence, solidity and transparency. This composition invites viewers to ponder the relationship between space, form, and color. Published by Brooke Alexander Editions and Paula Cooper Gallery, and printed by Derrière l'Étoile Studios, New York, the print subtly balances simplicity and complexity through its restrained visual elements.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.