Sam Francis

Untitled, 1984

106.7 X 73 inch

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Series II - Rouge et Vert - M288

Joan Miró's L'Invention Du Feu - D284, 1960, aquatint with bold red background, abstract black forms, and central organic shape in pale pink

Original lithograph with aquatint. Hand signed and numbered by the artist in pencil from the edition of 90. The piece has both a Mourlot number (M267) and a Dupin number (D284). Done in 1960, it was published by Maeght, Paris .The dimensions are 14-1/2" x 21" image and 19-3/4" x 26" sheet. // L'Invention Du Feu - D284 by Joan Miró, created in 1960, is a limited edition aquatint that exemplifies the artist’s vibrant, symbolic style. This piece, titled The Invention of Fire, features a striking red background with abstract black forms and a central organic shape in pale pink, which appears to be a dynamic, biomorphic structure. Miró’s characteristic use of bold colors and enigmatic symbols suggests a primal or elemental scene, evoking a sense of creation or discovery. The interplay of contrasting colors and shapes invites viewers to interpret the composition as a visual metaphor for the sparks of creativity and invention.

Artwork Copyright © Joan Miró

L'Invention Du Feu - D284, 1960

form

Medium

Edition

Original lithograph with aquatint. Hand signed and numbered by the artist in pencil from the edition of 90. The piece has both a Mourlot number (M267) and a Dupin number (D284). Done in 1960, it was published by Maeght, Paris .The dimensions are 14-1/2" x 21" image and 19-3/4" x 26" sheet. // L'Invention Du Feu - D284 by Joan Miró, created in 1960, is a limited edition aquatint that exemplifies the artist’s vibrant, symbolic style. This piece, titled The Invention of Fire, features a striking red background with abstract black forms and a central organic shape in pale pink, which appears to be a dynamic, biomorphic structure. Miró’s characteristic use of bold colors and enigmatic symbols suggests a primal or elemental scene, evoking a sense of creation or discovery. The interplay of contrasting colors and shapes invites viewers to interpret the composition as a visual metaphor for the sparks of creativity and invention.

Artwork Copyright © Joan Miró

Joan Miró

El Cazador De Pulpos, 1969

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EUR 18,200

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Passage De L'Egyptienne 4, 1985

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EUR 7,200

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Passage De L'Egyptienne, 10, 1985

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EUR 7,200

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EUR 9,500

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USD 6,100

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Le Roi Des Lapins, 1981

Limited Edition Print

Etching And Aquatint

EUR 9,600

Joan Miró

Galerie Maeght Exhibition Poster, 1978

Limited Edition Print

Lithograph

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Joan Miró

Untitled X (from Flux De L'Aimant), 1964

Limited Edition Print

Etching And Aquatint

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Joan Miró

Untitled (from Quelques Fleurs Pour Des Amis), 1964

Limited Edition Print

Lithograph

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Joan Miró

Le Lezard Aux Plumes D'Ord 3, 1971

Limited Edition Print

Lithograph

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Joan Miró

Great Britain, 1974

Limited Edition Print

Lithograph

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Joan Miró

I Work Like A Gardener, 1964

Limited Edition Print

Lithograph

EUR 13,800

Joan Miró

L'Étrangle (Dupin 651), 1974

Limited Edition Print

Etching And Aquatint

USD 35,000

Joan Miró

La Créole, 1958

Limited Edition Print

Etching And Aquatint

USD 8,700

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Le Lézard Aux Plumes D'or: One Plate, 1971

Limited Edition Print

Lithograph

USD 7,400

Joan Miró

Préparatifs D'Oiseaux III (Bird Preparations III), 1963

Limited Edition Print

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USD 12,700

Joan Miró

Le Jardin De Mousse, 1968

Limited Edition Print

Aquatint

USD 18,000

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Maîtres-Graveurs Contemporains, 1970

Limited Edition Print

Lithograph

USD 8,500

Joan Miró

Untitled (from Les Demeures D'hypnos Portfolio), 1976

Limited Edition Print

Lithograph

USD 4,270

Joan Miró

Series III, 1952

Limited Edition Print

Etching

EUR 25,900

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The Riddled Angel, 1973

Limited Edition Print

Etching

EUR 10,700

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Préparatifs D'oiseaux IV, 1963

Limited Edition Print

Aquatint

EUR 7,790

Joan Miró

L'oiseau Mangeant Le Feu, 1969

Limited Edition Print

Lithograph

EUR 7,200

Joan Miró

El Lagarto De Las Plumas De Oro, 1971

Limited Edition Print

Lithograph

EUR 7,200

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What is late modernism?

Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

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