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Etching with aquatint on Skikoku Surface Gampi paper - Signed, dated and numbered in pencil // Jasper Johns’ Valentine (2010) is an etching and aquatint created on Skikoku Surface Gampi paper, part of a limited edition of 40 prints. The composition features a central vase-like form created by two mirrored silhouettes, with abstract textures and patterns filling the surrounding spaces. The dark, tonal contrasts of the figures and background evoke a sense of depth and reflection, while the intricate detailing on the silhouettes suggests layers of meaning. The mirrored profiles reference Johns' ongoing interest in perception, duality, and the play between positive and negative space. Signed, dated, and numbered in pencil, this work encapsulates Johns' masterful blend of abstraction and figuration.
Valentine, 2010
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34.3 x 35.9 cm
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Artist
Styles
Etching with aquatint on Skikoku Surface Gampi paper - Signed, dated and numbered in pencil // Jasper Johns’ Valentine (2010) is an etching and aquatint created on Skikoku Surface Gampi paper, part of a limited edition of 40 prints. The composition features a central vase-like form created by two mirrored silhouettes, with abstract textures and patterns filling the surrounding spaces. The dark, tonal contrasts of the figures and background evoke a sense of depth and reflection, while the intricate detailing on the silhouettes suggests layers of meaning. The mirrored profiles reference Johns' ongoing interest in perception, duality, and the play between positive and negative space. Signed, dated, and numbered in pencil, this work encapsulates Johns' masterful blend of abstraction and figuration.
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Jasper Johns
Untitled - Faces (ULAE 243), 1988
Limited Edition Print
Carborundum
USD 41,000 - 45,000
What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
