


Die-cut and stencil on paper. Hand-signed and dated lower left. Reference: ULAE 148
'M. D.' by Jasper Johns is a mixed media work from 1974, measuring 55.9 × 45.3 cm. On a uniform sheet of warm buff card, a large irregular quadrilateral is defined by a faint, nearly colourless impressed line — the paper's surface catching light rather than ink. Along the right edge of this shape, a continuous contour breaks into an unmistakable facial profile in silhouette: forehead, nose, lips, and chin rendered in a single unbroken line before rejoining the geometric border. The initials 'M. D.' are stamped in bold serif type at the lower right — a clear reference to Marcel Duchamp, who died in 1968. Johns had a long personal friendship with Duchamp and absorbed his readymade logic deeply into his own practice. The work sits within a cluster of Johns's early 1970s tributes to Duchamp, where portraiture is reduced to the barest notational gesture and the support itself becomes the primary material.
M. D., 1974
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Die-cut and stencil on paper. Hand-signed and dated lower left. Reference: ULAE 148
'M. D.' by Jasper Johns is a mixed media work from 1974, measuring 55.9 × 45.3 cm. On a uniform sheet of warm buff card, a large irregular quadrilateral is defined by a faint, nearly colourless impressed line — the paper's surface catching light rather than ink. Along the right edge of this shape, a continuous contour breaks into an unmistakable facial profile in silhouette: forehead, nose, lips, and chin rendered in a single unbroken line before rejoining the geometric border. The initials 'M. D.' are stamped in bold serif type at the lower right — a clear reference to Marcel Duchamp, who died in 1968. Johns had a long personal friendship with Duchamp and absorbed his readymade logic deeply into his own practice. The work sits within a cluster of Johns's early 1970s tributes to Duchamp, where portraiture is reduced to the barest notational gesture and the support itself becomes the primary material.
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

Jasper Johns
M. D., 1974
55.9 x 45.3 cm


































