Details
Artist
Styles
Published in the following collections and catalogues: "Edition Schellmann 1969-1989", year 1989, pg. 168/169 "Jannis Kounellis Editions 1972-1990", year 1991 - tav. 21 "Art editions 4", year 2004 - n.199 (ed. Schellmann) "La grafica e i multipli dell'arte povera", year 2012 - pg. 31 (Peruzzi/Poli) "Collezione Peruzzi", year 2019 - cod CP 104 "Forty are better than one", ed. Schellmann, year 2019 - pg. 204, 374
Edizione notturna, 1986
form
Medium
Size
76 x 56 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Published in the following collections and catalogues: "Edition Schellmann 1969-1989", year 1989, pg. 168/169 "Jannis Kounellis Editions 1972-1990", year 1991 - tav. 21 "Art editions 4", year 2004 - n.199 (ed. Schellmann) "La grafica e i multipli dell'arte povera", year 2012 - pg. 31 (Peruzzi/Poli) "Collezione Peruzzi", year 2019 - cod CP 104 "Forty are better than one", ed. Schellmann, year 2019 - pg. 204, 374
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Jannis Kounellis
Opera In Ricordo Di Mauro Rostagno, 2000
Limited Edition Print
Screen-print
EUR 850
Jannis Kounellis
Composition , 2004
Limited Edition Print
Silkscreen
EUR 1,375
Jannis Kounellis
Untitled From The Lettre International Portfolio, 1992
Limited Edition Print
Lithograph
EUR 2,200
Jannis Kounellis
Barcelona II ( N8 ), 2003
Drawing / Watercolor
Mixed Media
Inquire For Price
Jannis Kounellis
Homage To Federico Garcia Lorca, 2001
Limited Edition Print
Silkscreen
Currently Not Available
Jannis Kounellis
Against Torture
Limited Edition Print
Lithograph
Currently Not Available
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
