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Intaglio print with carborundum in colours and hand-colouring in egg tempera on Arches paper. Signed with initials, dated and numbered in pencil. Published by Waddington Graphics, London. // A richly layered intaglio print with carborundum in colours and hand-colouring in egg tempera by Howard Hodgkin, one of Britain's most celebrated colourists. Printed on Arches paper and published by Waddington Graphics, London, each impression is rendered unique through the artist's direct intervention with tempera. Hodgkin's distinctive approach dissolves the boundary between painting and printmaking, building dense strata of saturated hue that pulse with emotional intensity. Signed with initials, dated and numbered from an edition of fifty-five plus fifteen artist's proofs, this work exemplifies his singular fusion of gestural spontaneity and chromatic refinement.
Street Palm, 1990
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149 x 120 cm
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Details
Artist
Styles
Intaglio print with carborundum in colours and hand-colouring in egg tempera on Arches paper. Signed with initials, dated and numbered in pencil. Published by Waddington Graphics, London. // A richly layered intaglio print with carborundum in colours and hand-colouring in egg tempera by Howard Hodgkin, one of Britain's most celebrated colourists. Printed on Arches paper and published by Waddington Graphics, London, each impression is rendered unique through the artist's direct intervention with tempera. Hodgkin's distinctive approach dissolves the boundary between painting and printmaking, building dense strata of saturated hue that pulse with emotional intensity. Signed with initials, dated and numbered from an edition of fifty-five plus fifteen artist's proofs, this work exemplifies his singular fusion of gestural spontaneity and chromatic refinement.
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Howard Hodgkin
David's Pool At Night, 1979-85
Limited Edition Print
Etching And Aquatint
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
