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Artist
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Etching on chine collé, signed in black ink, numbered from the edition of 1000 in pencil, also numbered on accompanying justification page. Published by the artist, Paris. This etching by Henri Matisse, created in 1920, is one plate from the publication Cinquante Dessins (Duthuit Books 2). Executed on chine collé and signed in black ink, the portrait features a delicately drawn female face rendered in Matisse’s fluid and expressive line. With its minimal but confident mark-making, the work captures an intimate psychological presence while maintaining the artist’s hallmark simplicity and elegance. Numbered from an edition of 1000 and originally published by Matisse himself in Paris, the piece exemplifies his mastery of form through economy of line.
One plate, from Cinquante Dessins (Duthuit Books 2), 1920
form
Medium
Size
30.5 x 21 cm
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Edition
Price
Details
Artist
Styles
Etching on chine collé, signed in black ink, numbered from the edition of 1000 in pencil, also numbered on accompanying justification page. Published by the artist, Paris. This etching by Henri Matisse, created in 1920, is one plate from the publication Cinquante Dessins (Duthuit Books 2). Executed on chine collé and signed in black ink, the portrait features a delicately drawn female face rendered in Matisse’s fluid and expressive line. With its minimal but confident mark-making, the work captures an intimate psychological presence while maintaining the artist’s hallmark simplicity and elegance. Numbered from an edition of 1000 and originally published by Matisse himself in Paris, the piece exemplifies his mastery of form through economy of line.
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Henri Matisse
Young Woman Sitting With Bouquet Of Flower, 1923
Limited Edition Print
Lithograph
Inquire For Price
Henri Matisse
One Plate, From Cinquante Dessins (Duthuit Books 2), 1920
Limited Edition Print
Etching
Inquire For Price
Henri Matisse
La Robe Jaune Au Ruban Noir, 1922
Limited Edition Print
Lithograph
USD 25,000 - 50,000
What is Figuration Libre?
Figuration Libre is an art movement that is equivalent to the French Bad Painting and Neo-Expressionism in Europe and America. The term was coined by Ben Vautier and the Fluxus movement. In 1981, Robert Combas, François Boisrond, Hervé Di Rosa, and Rémi Blanchard formed the Figuration Libre group. The term can be interpreted as free style art, emphasizing spontaneity, freedom, and a rejection of traditional artistic conventions.
