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EA on crème Vélin paper, signed and numbered by hand in pencil. - Reference: Weelen 46 // Helena Vieira da Silva's Les Grilles (1961) is an evocative lithograph that exemplifies her mastery in abstract expressionism. This limited edition print, executed on crème Vélin paper, captures the artist's fascination with architectural forms and geometric grids. The composition is densely layered with interwoven, vertical, and horizontal lines, creating a textured, grid-like pattern that appears to pulsate with depth. The delicate interplay of light and shadow within the structure gives an illusion of three-dimensional space, drawing the viewer into its maze-like complexity. Signed and numbered by hand, Les Grilles is a testament to Vieira da Silva's innovative approach to space and form, reflecting her significant influence in the realm of abstract art.
Les Grilles, 1961
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Medium
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43.5 x 33.4 cm
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Details
Artist
Styles
EA on crème Vélin paper, signed and numbered by hand in pencil. - Reference: Weelen 46 // Helena Vieira da Silva's Les Grilles (1961) is an evocative lithograph that exemplifies her mastery in abstract expressionism. This limited edition print, executed on crème Vélin paper, captures the artist's fascination with architectural forms and geometric grids. The composition is densely layered with interwoven, vertical, and horizontal lines, creating a textured, grid-like pattern that appears to pulsate with depth. The delicate interplay of light and shadow within the structure gives an illusion of three-dimensional space, drawing the viewer into its maze-like complexity. Signed and numbered by hand, Les Grilles is a testament to Vieira da Silva's innovative approach to space and form, reflecting her significant influence in the realm of abstract art.
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.
