Details
Artist
Styles
Aquagravure and etching. Hand-signed by the artist. Corneille’s Femme rose aux cheveux bleus (1999) is an aquagravure and etching that highlights his signature use of bold color and symbolic imagery. A reclining pink female figure with striking blue hair fills the composition, her stylized form outlined in vivid lines. Above her, a simplified bird with green plumage introduces a recurring motif in Corneille’s work, evoking themes of freedom and vitality. The flattened perspective and intense palette reflect his post-CoBrA evolution toward expressive figuration. Produced in a limited edition of 70, the print embodies his poetic fusion of sensuality, nature, and imagination.
Femme rose aux cheveux bleus, 1999
form
Medium
Size
47.5 x 64 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Aquagravure and etching. Hand-signed by the artist. Corneille’s Femme rose aux cheveux bleus (1999) is an aquagravure and etching that highlights his signature use of bold color and symbolic imagery. A reclining pink female figure with striking blue hair fills the composition, her stylized form outlined in vivid lines. Above her, a simplified bird with green plumage introduces a recurring motif in Corneille’s work, evoking themes of freedom and vitality. The flattened perspective and intense palette reflect his post-CoBrA evolution toward expressive figuration. Produced in a limited edition of 70, the print embodies his poetic fusion of sensuality, nature, and imagination.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
