Sam Francis

Untitled, 1984

106.7 X 73 inch

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Tryptych

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Three Studies of Male Back (One Work - Right hand panel of the triptych)

Francis Bacon Tryptych aquatint showing distorted nude with photo face inset in black void on beige background.

Aquatint in colours, on Fabiano paper. With the dry stamp of the artist's signature, bottom right under the image, on the plate dry stamp of the Francis Bacon Estate. Tryptych (1991) by Francis Bacon, printed in 1992, is an evocative aquatint that blends figurative abstraction with psychological unease. The image presents a distorted nude figure emerging from or merging into a black rectangular void, with a sharply contrasting photo-realistic face inset into the dark field. The limbs are twisted and disjointed, reflecting Bacon's recurring exploration of the human form under stress. The stark beige and black background intensifies the sense of isolation. Though titled "Tryptych," this piece functions as a singular panel, alluding to Bacon’s iconic triptych format. Created in an edition of 84, this late work encapsulates the artist’s continued confrontation with identity and corporeality.

Artwork Copyright © Francis Bacon

Tryptych, 1992

form

Medium

Edition

Aquatint in colours, on Fabiano paper. With the dry stamp of the artist's signature, bottom right under the image, on the plate dry stamp of the Francis Bacon Estate. Tryptych (1991) by Francis Bacon, printed in 1992, is an evocative aquatint that blends figurative abstraction with psychological unease. The image presents a distorted nude figure emerging from or merging into a black rectangular void, with a sharply contrasting photo-realistic face inset into the dark field. The limbs are twisted and disjointed, reflecting Bacon's recurring exploration of the human form under stress. The stark beige and black background intensifies the sense of isolation. Though titled "Tryptych," this piece functions as a singular panel, alluding to Bacon’s iconic triptych format. Created in an edition of 84, this late work encapsulates the artist’s continued confrontation with identity and corporeality.

Artwork Copyright © Francis Bacon

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Miroir De La Tauromachie, 1990

Limited Edition Print

Lithograph

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Francis Bacon

Seated Figure, 1983

Limited Edition Print

Etching And Aquatint

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Francis Bacon

Tryptych, 1986/1987

Limited Edition Print

Etching And Aquatint

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Francis Bacon

Tryptych, 1992

Limited Edition Print

Aquatint

Inquire For Price

Francis Bacon

Three Studies Of Male Back (One Work - Right Hand Panel Of The Triptych), 1987

Limited Edition Print

Lithograph

Inquire For Price

Francis Bacon

Three Studies Of Male Back (One Work - Central Panel Of The Triptych), 1987

Limited Edition Print

Lithograph

GBP 18,000 - 22,000

Francis Bacon

Study For A Portrait Of John Edwards (s.9495), 1986

Limited Edition Print

Lithograph

GBP 17,000 - 20,000

Francis Bacon

Study For A Portrait Of John Edwards, 1988

Limited Edition Print

Lithograph

GBP 18,000 - 25,000

Francis Bacon

L’Homme Au Lavabo Figure At A Washbasin, 1978

Limited Edition Print

Etching And Aquatint

GBP 19,000 - 23,000

Francis Bacon

Triptych, March 1974 ( Centre Panel ), 1978

Limited Edition Print

Offset Print

EUR 15,450

Francis Bacon

Triptych (Centre), 1983

Limited Edition Print

Lithograph

EUR 18,800

Francis Bacon

Study For Portrait Of Pope Innocent X After Velasquez, 1989

Limited Edition Print

Lithograph

EUR 60,000 - 70,000

Francis Bacon

Three Studies For A Portrait Of John Edwards, 1980

Limited Edition Print

Lithograph

EUR 57,000 - 70,000

Francis Bacon

Triptych Inspired By Oresteia Of Aeschylus (s.9503), 1981

Limited Edition Print

Lithograph

Currently Not Available

Francis Bacon

Triptych, 1974-1977

Limited Edition Print

Etching And Aquatint

Currently Not Available

Francis Bacon

In Memory Of George Dyer, 1976

Limited Edition Print

Offset Print

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What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

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