Sam Francis

Untitled, 1984

106.7 X 73 inch

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Three studies for a portrait of John Edwards

Francis BACON | Study for Portrait of Pope Innocent X after Velasquez | Lithograph available for sale on composition gallery
Francis BACON | Study for Portrait of Pope Innocent X after Velasquez | Lithograph available for sale on composition gallery
Francis BACON | Study for Portrait of Pope Innocent X after Velasquez | Lithograph available for sale on composition gallery
Francis Bacon was an Irish painter known for his abstract imagery. His paintings were typically figurative images painted in the environment of empty backgrounds or within geometric cages of steel or glass, all painted with flat, monochromatic color palettes. Francis Bacon frequently created series of paintings that depicte Read More
Artwork Copyright © Francis Bacon

Study for Portrait of Pope Innocent X after Velasquez, 1989

form
Medium

Lithograph on pale cream wove Arches paper, with watermark - Published by Libraire Séguier for IRC (...) Show More
Francis Bacon was an Irish painter known for his abstract imagery. His paintings were typically figurative images painted in the environment of empty backgrounds or within geometric cages of steel or glass, all painted with flat, monochromatic color palettes. Francis Bacon frequently created series of paintings that depicte Read More
Artwork Copyright © Francis Bacon

Francis Bacon

Study For Portrait Of Pope Innocent X After Velasquez, 1989

Limited Edition Print

Lithograph

EUR 60,000 - 70,000

Francis Bacon

Three Studies For A Portrait Of John Edwards, 1980

Limited Edition Print

Lithograph

EUR 57,000 - 70,000

Francis Bacon

Oedipus And The Sphinx, 1984

Limited Edition Print

Lithograph

Currently Not Available

Francis Bacon

Seated Figure, 1987

Limited Edition Print

Etching And Aquatint

Currently Not Available

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What is new figuration?

A collective term that refers to rejuvenation of figurative art in America and Europe in the year 1960 following an abstraction-dominated period. Michel Ragon, a French art critic argued that revival of figuration took place during a critical period of social and political turbulence in America and Europe.

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