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Etude pour un portrait de John Edwards. Original Lithograph in colours,1986, on Arches paper. Signed by the artist in pencil. Study for a Portrait of John Edwards (S.9495) (1986) is a striking color lithograph by Francis Bacon, portraying his longtime companion John Edwards. The figure kneels on a textured surface, his muscular form twisted as he turns toward the viewer with a ghostly gaze. Bacon’s distorted anatomy and stark use of shadows create psychological tension. A dark void in the background contrasts with greenish-blue walls, amplifying the sense of spatial ambiguity. Printed on Arches paper and signed by the artist, this lithograph belongs to an edition of 180.
Study for a portrait of John Edwards (s.9495), 1986
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94.6 x 67.9 cm
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Details
Artist
Styles
Etude pour un portrait de John Edwards. Original Lithograph in colours,1986, on Arches paper. Signed by the artist in pencil. Study for a Portrait of John Edwards (S.9495) (1986) is a striking color lithograph by Francis Bacon, portraying his longtime companion John Edwards. The figure kneels on a textured surface, his muscular form twisted as he turns toward the viewer with a ghostly gaze. Bacon’s distorted anatomy and stark use of shadows create psychological tension. A dark void in the background contrasts with greenish-blue walls, amplifying the sense of spatial ambiguity. Printed on Arches paper and signed by the artist, this lithograph belongs to an edition of 180.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
